This essay interrogates the ways in which, through the mise en abymenarrative strategy in White Is for Witchingby Helen Oyeyemi and White as Snowby Tanith Lee, various tropes from the Grimm and Disney retellings of "Snow White" are related to the mythic descent to the Underworld, known as the Hellenic katabasis(κατάβασις). Findings reveal that the connection between the mise en abymerefractive narrative strategy and the trope of the katabasisis deployed differently by the two authors to examine trauma in relation to age, gender, and dominant racial discourses.