- Index to Volume 14
Articles | |
Brami, Thomas, Integrated Soundtracks, Sergei Eisenstein, and Man-Eating Mermaids that Sing: Meaning and Method in The Lure | 3 |
Durand, Júlia, Romantic Piano' and 'Sleazy Saxophone': Categories and Stereotypes in Library Music Catalogues | 23 |
Kreutzer, Evelyn, Mediating and Disrupting the Flow: Classical Music Conventions in the Performance and Video Art of Nam June Paik and Charlotte Moorman | 141 |
Redfern, Nick, Sound in Horror Film Trailers | 47 |
Walker, Alison, Sonic Space and Echoes of the Flesh: Textual and Phenomenal Readings of Gravity White, Daniel, One Does Not Simply Walk into Mordor: Sound and Music as Suture in the Opening Sequences of Peter Jackson's Middle-earth Films | 93 |
Reviews | |
Birkett, Danielle and McHugh, Dominic (eds), Adapting The Wizard of Oz: Musical Versions from Baum to MGM and Beyond, review by Thomas S. Hischak | 83 |
Buhler, James, Theories of the Soundtrack, review by Alexis Bennett | 75 |
Giuffre, Liz and Hayward, Philip (eds), Music in Comedy Television: Notes on Laughs, review by Max Dosser | 79 |
O'Brien, Charles, Movies, Songs, and Electric Sound: Transatlantic Trends, review by Marco Ladd | 86 |
Gueneli, Berna, Fatih Akin's Cinema and the New Sound of Europe, review by Roger Hillman | 159 |
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