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  • Index to Volume 14
Articles
Brami, Thomas, Integrated Soundtracks, Sergei Eisenstein, and Man-Eating Mermaids that Sing: Meaning and Method in The Lure 3
Durand, Júlia, Romantic Piano' and 'Sleazy Saxophone': Categories and Stereotypes in Library Music Catalogues 23
Kreutzer, Evelyn, Mediating and Disrupting the Flow: Classical Music Conventions in the Performance and Video Art of Nam June Paik and Charlotte Moorman 141
Redfern, Nick, Sound in Horror Film Trailers 47
Walker, Alison, Sonic Space and Echoes of the Flesh: Textual and Phenomenal Readings of Gravity White, Daniel, One Does Not Simply Walk into Mordor: Sound and Music as Suture in the Opening Sequences of Peter Jackson's Middle-earth Films 93
Reviews
Birkett, Danielle and McHugh, Dominic (eds), Adapting The Wizard of Oz: Musical Versions from Baum to MGM and Beyond, review by Thomas S. Hischak 83
Buhler, James, Theories of the Soundtrack, review by Alexis Bennett 75
Giuffre, Liz and Hayward, Philip (eds), Music in Comedy Television: Notes on Laughs, review by Max Dosser 79
O'Brien, Charles, Movies, Songs, and Electric Sound: Transatlantic Trends, review by Marco Ladd 86
Gueneli, Berna, Fatih Akin's Cinema and the New Sound of Europe, review by Roger Hillman 159

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