Contributors to Issue 14:2
- Contributors to Issue 14:2
Roger Hillman is Emeritus Professor at the Australian National University, Canberra, having held a combined post in German Studies and Film Studies. His monograph Unsettling Scores: German Film, Music, Ideology appeared with Indiana University Press in 2005. Other research outputs include chapters and articles on European cinema and music, film and history, and Turkish-German cinema. Roger.Hillman@anu.edu.au
Evelyn Kreutzer is an adjunct lecturer in Radio/TV/Film at Northwestern University. Her research focuses on the intersections of music and media histories, technologies, and discourses, particularly representations of European classical music on American television of the Cold War era. She is also a video essayist and is especially interested in videographic methods' potential to study film/media temporality and rhythm. She holds a PhD and MA in Screen Cultures from Northwestern University, as well as a BA in American Studies and German Literature from Freie Universität Berlin.
Evelynkreutzer@gmail.com
evelyn.kreutzer@u.northwestern.edu
Alison Walker was awarded a PhD in 2020 from Macquarie University for a thesis entitled (In)Habiting Film Sound: Cinesomatic Narratives and Sonic Embodiments. Her work engages with interdisciplinary theory to investigate sound, embodiment, creative practice, and storytelling.
alison.walker@mq.edu.au
Daniel White is a lecturer in Musicology at the University of Huddersfield, specialising in the music of fantasy cinema, fandom, and transmedia worldbuilding.
d.white@hud.ac.uk
danielwhite214@gmail.com
