Editorial Foreword

Mashriq & Mahjar 2, no. 1 (2014), 1–3 ISSN 2169-4435 Sarah Gualtieri & Akram Khater EDITORIAL FOREWORD This issue of Mashriq & Mahjar focuses on two inter-related themes. The first is gender and its use in understanding the migratory experience in ways that are different and differently enlightening from other approaches to telling that story. The second theme is about migrants and refugees whose lives transgress cultural and physical boundaries even as they confront spaces and institutions that seek to confine them in set tropes. The first three articles in this issue of Mashriq & Mahjar demonstrate how using gender as a category of analysis continues to push, in innovative and illuminating ways, against the boundaries of disciplinary paradigms in Middle East diaspora studies. Each of the author’s work reveals how attention to gender and interdisciplinarity (and to a lesser extent intersectionality) captures the nuance in migratory experiences, the cross fertilization between communities on the move, and the unexpected ways that migrants engage with regimes of power, be they constituted by the state, the family, or by religion. Gender—as a primary way to signify relations of power and to identify the meaning given to sexual difference in society—destabilizes normative conceptions of space and time and is thus an obvious (although often overlooked) unit of analysis in Middle East diaspora studies. We have chosen these three articles because they highlight salient themes at the cutting of research on questions of gender and migration. First, Devi Mays explores how migration pulls at idealized understandings of family. She analyzes in particular how gendered violence in the early twentieth century Sephardic diaspora activated transoceanic networks of communication and contestation over destabilized family relations. Anchored in an analysis of two intimate partner homicides, one in New York City and the other in Mexico City, Mays’s article reveals how violence allowed Sephardic men to make appeals to honor and virility precisely at a moment in which state Sarah Gualtieri & Akram Khater 2 exclusion projects cast Jewish men as degenerate and effeminate. At the same time, defendants’ families appealed to state modernizing imperatives to contest these “antiquated” gendered tropes. For Mays, the Sephardic diaspora is a place where notions of masculinity and femininity are tested and reconfigured in both creative and destructive ways. Second, Pauline Homsi Vinson's article demonstrates how migrant cultural production precariously reclaims, subverts, and reproduces dominant Orientalist paradigms. The article focuses on Arab American writer Alia Yunis's novel The Night Counter to address how an archetypical figure like Scheherazade is transformed from a storyteller (whose tales have fueled Orientalist imaginings of the Middle East) into a listener, attentive to the richness of Arab American history and its intersections with other cultures. Weaving between an analysis of Yunis’s reflections on the inspiration for her novel and her coming of age experience as an Arab American teenager, and close reading of the novel’s main characters, Homsi deftly engages the epistemology of the closet and of passing to argue that processes of Arab American coming out—as gay, as Arab, as marked in various marginal ways—could allow for productive reclaiming of the multiple ways of belonging as Arab in the United States. Finally, Lea Frank Muller explores how gender is an important axis of mobilization in the politics of diaspora. Her article focuses on Egyptian transnational social media activism in France following the overthrow of President Mohammad Morsi. Using an innovative technique of “visualizing social media” Muller Frank charts how informal political activism allowed women to articulate and affirm new senses of collective belonging. The second section in this issue deals with attempts by individual migrants (Najeeb Saleeby and Edward Said) and groups (Palestinian refugees in Lebanon) to negotiate and circumvent the constructed boundaries that surround their transnational lives. The subjects of each of the three papers work to destabilize the categories where they are forced to exist, and to build their own alternative and hybrid identities. Laura Robson examines how Said deployed Western classical music as a discursive space on which he could inscribe and celebrate the political and cultural values of his mobile, cosmopolitan upbringing in interwar Cairo. Said’s insistence on the universality and political applicability of Western...