The Audacity of a Middle Period: An Introduction

392 CLA JOURNAL The Audacity of a Middle Period: An Introduction Michael Hill, Jessica Welburn Paige, and Deborah Whaley Ta-Nehisi Coates commands varied attention. As 2017 ended, he provoked approval from Annette Gordon Reed, a pound from Walton Muyumba, and critique from Cornel West.1 These reactions not only hint at the range of opinions about Coates but also affirm his status as an intellectual celebrity. Determining the meaning of such affirmation requires a long view of black creativity. When James Weldon Johnson wrote about “black and unknown bards” whose routes to artistic expression caused “a wide, wide wonder,” he did not have 21st century writers in mind (769-770). Still, his focus on the circumstances under which black authors could “lift” their “voice and sing” clarify as much about Ta-Nehisi Coates as they do about Lucy Terry, David Walker, and Anna Julia Cooper. Johnson recognized that black art constitutes a reaction against anonymity. If Coates did not experience slavery and Jim Crow like earlier black authors, then he did confront an America that had a hard time seeing where blackness fit into national identity. Prior black writers addressed this problem by exploring tropes like invisibility, misnaming , and marginalization. While Coates’s work dialogues with these themes, his abiding preoccupation is racial reckoning in democracy’s shadows. His probing of this topic acquires greater significance because his most celebrated efforts coincide with the election of Barack Obama, the first black president of the United States. In light of 2018, how should the public understand Coates? The editors of this special issue believe that he should be analyzed as a black writer.2 Although that label sounds satisfactory, it begs the question of whether Coates is best labeled a writer of fiction or nonfiction, a deft user of tweets, blogs, and comments or a savant of journalistic essays and memoirs. He defies easy characterization, yet his centrality remains a marker of a shift in the intellectual currents of black society. From a moment when the preacher,the politician,and,more recently,the academic 1  For the pieces where Gordon-Reed, Muyumba, and West offer their perceptions, see respectively “We Were Eight Years in Power by Ta-Nehisi Coates review–On White Supremacy,”“Ta-Nehisi Coates Blazes a Singular Intellectual Path in We Were Eight Years in Power,” and “Ta-Nehisi Coates is the Neoliberal Face of the Black Freedom Struggle.” These three pieces offer but a sampling of the wide attention that Coates inspired. 2  Our approach in part echoes the sentiment of Jamelle Bouie who observed that We Were Eight Years in Power (2017), Coates’s most recent book, suggested that he should be evaluated “as a writer, nothing more and nothing less.” For a fuller account, see Bouie. CLA JOURNAL 393 The Audacity of a Middle Period: An Introduction prevailed as signature figures in the arena of black public intellectual endeavor, Coates signals an extension and a customization of the ascendancy of the writer. To understand Coates and this development, we must relentlessly pursue context. After the Civil Rights era and the passage of legislation like the Voting Rights Act, the articulation of black cares and concerns increasingly migrated away from the moral milieu of the ministerial class and towards the realpolitik manipulations of mayors, city council members, and state/national legislators. This development did not occur all at once; however, gradually, the vital tasks of speaking on behalf of Black America fell to a class of individuals whose chief obligations dovetailed with governance. From the mayoral cohort that featured people like Carl B. Stokes, Maynard Jackson, and Coleman Young to the presidential candidates like Charlene Mitchell, Shirley Chisolm, and Margaret Wright, the presence of a robust black political class in the 1970s signaled the indisputable, if circumscribed, gains that greater integration delivered. If this group indicated one fairly quick harvest from civil rights activism, then the proliferation and the visibility of black academics suggest a slower, yet equally important emergence. The vital role that academics like Charles Johnson (sociology) and Charles Hamilton Houston (law) played in challenging segregation may have been obscured by the more conspicuous operation of black lawyers. While that situation may have prevailed...