Collective Bibliography

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Abrams, M. H. The Mirror and the Lamp. Romantic Theory and the Critical Tradition. Oxford: Oxford University Press, 1953.

———. Natural Supernaturalism: Tradition and Revolution in Romantic Literature. New York: W. W. Norton & Company, 1971.

———. “Structure and Style in the Greater Romantic Lyric.” In From Sensibility to Romanticism: Essays Presented to Frederick A. Pottle, edited by Frederick W. Hilles and Harold Bloom, 527–60. Oxford: Oxford University Press, 1965.

A Catalogue of Rare & Valuable Books including a Choice Selection of Finely Bound Sets from the Library of a Collector and a Library removed from the North of Scotland (the Property of a Lady) comprising William Blake’s America & The Song of Los, &c., 35 Plates, the excessively Rare Original Coloured Issues. London: Hodgson, 1904.

Addison, Joseph, and Richard Steele. The Spectator. Edited by Donald F. Bond. Vol 1. Oxford: Clarendon Press, 1965.

Adorno, Theodor. Minima Moralia: Reflections from Damaged Life. Translated by Dennis Redmond, 2005. https://www.marxists.org/reference/archive/adorno/1951/mm/.

———. “On Lyric Poetry and Society.” In Notes to Literature, vol 1. New York: Columbia University Press, 1991.

Allston, Washington. “America to Great Britain.” In Samuel Taylor Coleridge, Sibylline Leaves: A Collection of Poems. London: Rest Fenner, 1817.

———. The Correspondence of Washington Allston. Edited by Nathalia Wright. Lexington, KY: University Press of Kentucky, 1993.

———. Lectures on Art, and Poems. Edited by Richard Henry Dana. New York: Baker and Scribner, 1850.

Altick, Richard D. Victorian People and Ideas: A Companion for the Modern Reader of Victorian Literature. New York: Norton, 1973.

Amarasinghe, Upali. Dryden and Pope in the Early Nineteenth Century: A Study of Changing Literary Taste, 1800–1830. Cambridge: Cambridge University Press, 1962.

“American Poetry.” Fraser’s Magazine for Town and Country 42, no. 247 (July 1850): 9–25.

The American Stationer 37, no. 14 (1895): 597–640.

Anderson, James. “On the Advantages of Periodical Performances.” The Bee; or Literary Weekly Intelligencer 1, no. 1 (1790), 10–14.

Arac, Jonathan. Commissioned Spirits: The Shaping of Social Motion in Dickens, Carlyle, Melville, and Hawthorne. New Brunswick, NJ: Rutgers University Press, 1979.

“Article 1.” The Foreign Quarterly Review 32, no. 64 (January 1844): 291–324.

Assmann, Aleida. “Canon and Archive.” In A Companion to Cultural Memory Studies, edited by Astrid Erll and Ansgar Nünning, 97–108. Berlin: de Gruyter, 2010.

Babbitt, Irving. Rousseau and Romanticism. Boston: Houghton Mifflin, 1919.

Balfour, Ian. Review of the English translation of The Literary Absolute, by Philippe Lacoue-Labarthe and Jean-Luc Nancy. Modern Language Notes 104, no. 3 (1989): 728.

Bannet, Eve Tavor, and Susan Manning, eds. Transatlantic Literary Studies, 1660– 1830. Cambridge; New York: Cambridge University Press, 2012.

Barbauld, Anna. Collected Works of Anna Barbauld. Edited by William McCarthy. Oxford: Oxford University Press, 2019.

———. “Essay on the Origins and Progress of Novel Writing.” In The British Novelists. 50 vols. London: F. C. and J. Rivington, 1810.

———. The Works of Anna Barbauld. Edited by Lucy Aikin. London: Longman, 1825.

Beattie, James. “The Triumph of Melancholy.” In Original Poems and Translations. London, 1760.

Beetham, Margaret. “Open and Closed: The Periodical as a Publishing Genre.” Victorian Periodicals Review 22, no. 3 (1989): 96–100.

Bentham, Jeremy. The Works of Jeremy Bentham. New York: Russell & Russell, 1962.

Bernstein, Charles. Attack of the Difficult Poems. Chicago: University of Chicago Press, 2011.

Bhabha, Homi. “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” October 28 (1984): 125–33.

Bindman, David. The Complete Graphic Works of William Blake. London: Thames and Hudson, 1978.

Binyon, Laurence. The Engraved Designs of William Blake. London: Ernest Benn, 1926.

Birns, Nicholas. Theory After Theory: An Intellectual History of Literary Theory from 1950 to the Early 21^st Century. Peterborough: Broadview Press, 2010.

Blair, Kirstie. “Transatlantic Tractarians: Victorian Poetry and the Church of England in America.” Victorian Studies 55, no. 2 (2013): 286–99.

Blake, William. The Complete Poetry and Prose of William Blake. Edited by David V. Erdman. Berkeley, CA: University of California Press, 1982.

———. The Marriage of Heaven and Hell. Edited by Michael Phillips. Oxford: Bodleian Library, 2011.

———. Poetical Sketches by W. B. London, 1783.

———. The Song of Los. Copy C, “Copy Information.” The William Blake Archive, http://blakearchive.org/copy/s-los.c?descId=s-los.c.illbk...