Abstract

ABSTRACT:

This piece thinks through Alison Bechdel’s Fun Home: A Family Tragicomic through salient spatial metaphors proffered by contemporary queer theorists. Specifically, I think through the work of Kathryn Bond-Stockton, J. Halberstam, and Sara Ahmed, and mobilize ideas about lateral lines of connectivity inherent to the lived experience of queers, about ghostly gay children, and about real and metaphorical tables.

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Additional Information

ISSN
2473-5205
Print ISSN
2473-5191
Pages
pp. 251-265
Launched on MUSE
2020-12-18
Open Access
No
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