Abstract

abstract:

Chinese Madonna from the collection of the Field Museum of Natural History, Chicago, is a physical evidence demonstrating religious and artistic exchanges between China and the West. From the perspective of iconography and based on Dr. Berthold Laufer's early studies, this article intends to figure out the relationship between this painting and Salus Populi Romani in Santa Maria Maggiore, Rome, its original painter, creation time, and actual theme.

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Additional Information

ISSN
1527-9472
Print ISSN
0882-0945
Pages
pp. 345-368
Launched on MUSE
2020-12-15
Open Access
No
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