Succeeding while Failing: The Tapestries of Jacob Christoph Le Blon that Never Were, 1725–1733

In 1727, the painter Jacob Christoph Le Blon (1667–1741) obtained a patent from George I of England for a method of weaving tapestries using draw-looms and yarns of just a few colors. This article provides the first in-depth account of the tapestry works that he established for the purpose of putting his invention into effect. Unlike previous scholarship, this article focuses on Le Blon’s successful efforts to create interest in his tapestry business throughout its eight-year lifespan, even though it produced very little in the way of actual goods. By showing how Le Blon was able to succeed reputationally despite failing in other respects, this article throws new light on the protean roles of artisans and their aesthetic, commercial and technical horizons in London around the time of the South Sea Bubble.