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  • Basuki Resobowo as a Jack of All Trades: The Intersectionality of Arts and Film in Perfini Films and Resobowo’s Legacy in Indonesian Cinema
  • Umi Lestari
Figure 20. Above: Tari and Leman. Below: The sex workers are inviting Leman to enter their rooms. Embun, 1952.
Figure 20.

Above: Tari and Leman. Below: The sex workers are inviting Leman to enter their rooms. Embun, 1952.

Copyright © 2020 Umi Lestari

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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.