Basuki Resobowo as a Jack of All Trades: The Intersectionality of Arts and Film in Perfini Films and Resobowo’s Legacy in Indonesian Cinema
Figure 20.
Above: Tari and Leman. Below: The sex workers are inviting Leman to enter their rooms. Embun, 1952.
Copyright © 2020 Umi Lestari
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
This work is licensed under a Creative Commons Attribution 4.0 International License.
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