Basuki Resobowo as a Jack of All Trades: The Intersectionality of Arts and Film in Perfini Films and Resobowo’s Legacy in Indonesian Cinema
Left: The enemy in Darah dan Doa’s ending is depicted in silhouette. Right: The father in Dosa Tak Berampun is presented as the villain in the film. Resobowo used lighting from below to emphasize his sinister character.