Basuki Resobowo as a Jack of All Trades: The Intersectionality of Arts and Film in Perfini Films and Resobowo’s Legacy in Indonesian Cinema

Figure 12. Left: The enemy in Darah dan Doa’s ending is depicted in silhouette. Right: The father in Dosa Tak Berampun is presented as the villain in the film. Resobowo used lighting from below to emphasize his sinister character.
Figure 12.

Left: The enemy in Darah dan Doa’s ending is depicted in silhouette. Right: The father in Dosa Tak Berampun is presented as the villain in the film. Resobowo used lighting from below to emphasize his sinister character.

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