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  • Basuki Resobowo as a Jack of All Trades: The Intersectionality of Arts and Film in Perfini Films and Resobowo’s Legacy in Indonesian Cinema
  • Umi Lestari
Figure 10. Left: Basuki Resobowo painted the background so it resembled a mountain scene. Right: Siliwangi soldiers face their enemies during the long march. Stills from Darah dan Doa, 1950.
Figure 10.

Left: Basuki Resobowo painted the background so it resembled a mountain scene. Right: Siliwangi soldiers face their enemies during the long march. Stills from Darah dan Doa, 1950.

Copyright © 2020 Umi Lestari

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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.