The poetic space that I explore in my electronic poems has its origin in the fields of concrete, visual and sound poetry. In this article I revisit a couple of my creative research projects in language-media art which I created when the field of electronic poetry (e-poetry) was still at its infancy (2000-2001). Due to its scope I only focus on one of the aspects that constitutes the framework of the production of the technopoetic aesthetic space of multimodal textualities, that is, the influence of concrete, visual and sound poetics.