Abstract

ABSTRACT:

While popular culture offers the unexamined terminology of “reboots,” “retcons,” and “sequels,” we determine the necessary and sufficient conditions of each and their rejections, thereby articulating a philosophy of revision for fictional narrative. Our example texts, Tolkien’s first two editions of The Hobbit and his three-novel The Lord of the Rings, exemplify how authors restart, reinterpret, and expand narratives—which readers then accept or reject.

pdf

Share