This is a preprint
Abstract

In this article the authors present their sound art project Nephew vs. Overheard as an exploration of a messy, fragile and incoherent local approach to public ecological art, an approach that aims at creating links of affectivity with technological creatures, such as large wind turbines, with which we share our landscape. Supplementing, as well as challenging, the dominant global strategy of ecological art, the authors argue that it is essential to experiment with transductive chains of local environmental data, creating sensibilities that we can relate to in our everyday environments.

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Additional Information

ISSN
1531-4812
Print ISSN
0961-1215
Launched on MUSE
2020-09-11
Open Access
No
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