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Framing Black Labor: On Archives and Mine Dancing in South African Gold Mines, 1950–1970
- TDR: The Drama Review
- The MIT Press
- Volume 64, Number 3, Fall 2020 (T247)
- pp. 79-99
- Article
- Additional Information
Abstract:
Promoted as a tourist attraction to highlight the benevolent treatment of black migrant laborers at South African gold mines, mine dance performances by workers became a symbol of both "authentic" preindustrial African culture and, paradoxically, the progress made towards industrializing the nation. Excavating both state-sponsored, industrial archives and the photographs of black South African Ernest Cole enables a reframing of the ways dance was mobilized and extracted during apartheid.