The resurgence of the medieval bestiary in contemporary Hispanic literature has resulted in increasingly creative interpretations of the genre. Among these interpretations is 200 años de monstruos y maravillas argentinas (2015) compiled by Gabo Ferro, illustrated by Christian Montenegro, and designed by Laura Varsky. This article explores the ontological debate that ensues from 200 años's choice to place humans in literary spaces traditionally reserved for animals. 200 años compiles documentation denoting Argentine history's dark underbelly, brandishing the word bestia to blur the line between "appropriate" and "marginalized" historical subjects. In this work, images check historical documentation through sardonic interpretation, creating a space between text and image in which the reader/viewer may reconsider the veracity and underpinnings of official Argentine historical narratives and hegemony.