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When Man Cannot Remain Man, and: Ibn Batuta
when man cannot remain man
Actually I am not the manyou saw writhing on the ground.
Perhaps you saw me fleeingfrom pain towards sympathy.
When the times are bad, man cannot remain man. He, too,must have been a man like you and me. But
I can assure youhe was a total stranger, the oneyou also heardscreaming and screaming in the darkas he collapsed.
Perhaps at that desperate momentwhen I, like a frightened animal,left him alone and ran from danger to safety,
he like a trapped animal,turned vicious and bloodthirsty. [End Page 84]
ibn batuta
In the forests of MabarIbn Batuta wonders: who are these people being impaled on bamboo stakes their bodies dripping with blood?
Is the morning dark— or is the Sultan blind and am I seeing through his sightless eyes in the dim torchlight a flickering page of history? At this savage ceremony who are those half-dead children, those lifeless women whose hands and feet are being chopped off one by one?
Kafirs? Or human beings? Who are those all around me, though forbidden by shariat, who are drinking wine?
No one. Nothing. All this is a foul nightmare.
It is not happening now. It happened a long time ago in history when men were predators.
I am not a witness... Sultan, give me leave, it is time for my namaz. [End Page 85]
Kunwar Narain (1927–2017) was born in Faizabad district, Uttar Pradesh, and became one of the foremost writers in Hindi. His numerous honors include the Sahitya Akademi Award, Padma Bhushan, and Jnanpith, the highest civilian award for overall contributions to Hindi literature. His major works include Koi Doosra Naheen, Atmajayee, Akaron Ke Aas-Pas, Apne Samne, and Aj aur aaj se pehle.