Abstract

ABSTRACT:

This discussion argues, through a selection of Emily Brontë’s poetry, that her presentation of the ghostly stems from love rather than terror. Taking the famous ghost scene in Wuthering Heights as a starting point, the analysis explores how Brontë’s poetry illuminates differences between Lockwood’s clichéd response to Catherine’s ghost and Heathcliff ’s frantic desire for reunion with her. Brontë eschews the inclusion of the supernatural as sensationalized entertainment, instead viewing the ghost with pre-Reformation eyes—that is, as an expression of obligation and community.

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