Faith in Flux. Pentecostalism and Mobility in Rural Mozambique by Devaka Premawardhana (review)

This fascinating and unique book is the result of Devaka Premawardhana's journey of nearly one year to explore the local response to the recent arrival of Pentecostal churches in northern Mozambique. The chosen location for his fieldwork was the Maúa district, an area in the Niassa province and home to the Makhuwa-speaking people. Although focused on a short period of time between 2011 and 2012, Faith in Flux is an account about movement, not linear and straightforward movement, but rather movement that is circular and complex.

Contrary to conventional narratives about the universal rise of Pentecostal conversions, Premawardhana finds a distinctive dynamic in the Maúa district, where "churches [are] arriving, but without always thriving" (10). According to the author, Maúa is home to four Pentecostal congregations of the African Assembly of God (ADA), which arrived from Zimbabwe in 1992, and the Evangelical Assembly of God (EAD), which was brought by Brazilian missionaries in 2001. Both churches seem to be in continuous flux. After a steady decline in the number of its attendees, the EAD—operating in Maúa town—managed to revive its ministry during the author's fieldwork year. Yet, Premawardhana chose to focus more on the rural areas of the Maúa district, where the ADA is more prominent. Most of his ethnographic material was collected in the village of Kaveya (population 700). Jemusse and Fatima's mud hut compound served as his headquarters. His hosts were especially well-suited for this enterprise, as they were among the most earnest participants in Kaveya's ADA church, and Jemusse also held a low-level leadership position, which connected him both to the Makhuwa community and to the church.

Premawardhana brilliantly brings together religion and migration in what he identifies as a Makhuma culture of mobility, a historical experience and cultural practice based on the move. According to him, this culture of mobility has its particularities. It is, for starters, circular mobility. To explain such circularity, Premawardhana recalls the Makhuwa foundational myth of Mount Namuli, in which Namuli is considered both a place of origin and a final destination for the Makhuwa. "Upon death, the munepa (spirit) of a person is restored to its first home: 'From Namuli we come, to Namuli we return'" (46).

In the author's view, this oscillatory dynamic—or even nature—delineates the distinctive behavior the Makhuwa people have toward Pentecostalism. As a highly mobile people, Makhuwa conversion to Pentecostalism follows suit. Such a mobility resonates, for instance, in their metaphor for conversion, othama, which can be translated as "to move." This means that, as one can relocate geographically, one can also move between one religious setting and another.

Premawardhana illustrates his argument by recounting the case of Jessume and Fátima's ten-year-old daughter, Luisinha, who breathed her last after being bitten by a snake. Not long after Luisinha's funeral, Jemusse and Fátima moved to Maúa's capital, for they had found out the real cause of their daughter's death, which was that a sorcerer had sent the snake that bit her. Instead of undertaking a spiritual warfare, either through the Holy Spirit or through indigenous traditions, they resorted to mobility.

Premadwardhana's book makes a significant contribution to the literature. Theoretically, Faith in Flux falls under the grand debate about rupture and hybridity. It not only supports the ranks of those who advocate in favor of the recent theorizing of rupture, but it seeks to radicalize it. It does so by arguing that conversion—Pentecostal conversion in this case—"is less a matter of continuity or change than of the continuity of change" (8).

Methodologically, the author defines his work "as an anthropology of mobility—or, better, of existential mobility" (17). In particular, Premadwardhana emphasizes the plasticity of personality. According to him, "the notion of existential mobility portrays the human being as several...