Notes on Contributors
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Arun Sood is Lecturer in English at the University of Plymouth. He is the author of Robert Burns and the United States of America: Poetry, Print and Memory 1786–1866 (London & New York: Palgrave Macmillan, 2018), and is currently developing a new project on Romanticism and West African literature and culture.
Carmen Faye Mathes is Assistant Professor of British Romanticism at the University of Regina. Her research and teaching explore the intersections of affect, aesthetics, and ethics in poetry, criticism, and the occasional novel. Her book project, The Provocations of Form, explores how formal innovations in Romantic poetry challenge dominant structures of feeling.
J. Louise McCray researches the narrative fiction of Romantic Britain with a view to its participation in diverse cultural controversies, including debates about media technology, ethics, and politics. She is the author of Godwin and the Book: Imagining Media, 1783–1836 (Edinburgh: Edinburgh University Press, forthcoming 2021). She lives and works in Cambridge, UK.
Young - ok An is Associate Professor of English at the University of St. Thomas, Minnesota. Among her publications are articles in edited books and journals on Percy Shelley, Mary Shelley, Lord Byron, Leticia Landon, and Felicia Hemans. Her book-length project, "The Female Prometheus: Myth, Gender, and Romantic Authorship," investigates Romantic revisions of Prometheanism in Wollstonecraft, Blake, Byron, the Shelleys, Hemans, and Landon. She is also working on the interplay between gender and aesthetics in Hemans and Landon.
Terry F. Robinson is Assistant Professor of English and Drama at the University of Toronto. Her articles have appeared in Studies in Romanticism, Eighteenth-Century Life, Eighteenth-Century Studies, European Romantic Review, BRANCH, Nineteenth-Century Literature, and Oxford Handbooks Online, among others. She is editor of Mary Robinson's Nobody (Romantic Circles, 2013) and is currently finalizing several projects: a monograph on the cultural and literary impact of stage acting in the Romantic period, an edition of Richard Brinsley Sheridan's The School for Scandal, and a volume of collected essays entitled The Visual Life of Romantic Theatre.
Michael Tomko is Associate Professor and chair of the interdisciplinary department of Humanities at Villanova University, where he teaches courses on literature, religion, and Romanticism. He is the author of British Romanticism and the Catholic Question: Religion, History and National Identity, 1778–1829 (2011) and co-editor of Firmly I Believe and Truly: The Spiritual Tradition of Catholic England, 1483–1999 (2011). His most recent book, Beyond the Willing Suspension of Disbelief: Poetic Faith from Coleridge to Tolkien (2016), received the Conference on Christianity and Literature book-of-the-year award. He also serves as the book review editor for Religion & Literature.
Winter Jade Werner is Associate Professor of English at Wheaton College, Massachusetts. She is the author of Missionary Cosmopolitanism in Nineteenth-Century British Literature (The Ohio State University Press, 2020) and co-editor of Constructing Nineteenth-Century Religion: Literary, Historical, and Religious Studies in Dialogue (The Ohio State University Press, 2019).
