Abstract

Abstract:

This essay considers how the graphic arts of Leila Abdelrazaq give form to Palestine's contemporary worldliness and to the worldliness of Palestinian difference. It argues that Abdelrazaq's work illustrates the entanglement of diaspora, memory, and futurity within the interconnected structures of enclosure and expulsion.

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Additional Information

ISSN
1938-8020
Print ISSN
1041-8385
Pages
pp. 1-14
Launched on MUSE
2020-07-04
Open Access
No
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