Abstract

Abstract:

This essay elaborates and engages a theopoetic reading mode to understand the function of lament in a selection of poems from the Crazy Women sections of Chilean Nobel laureate Gabriela Mistral's (1889–1957) Winepress (1954) and Wine-press II (1991). This method of reading will reveal how engaging the spatial metaphor of the relationship between human and God contributes to their tone of lament. Mistral's poetry articulates the sensation of insurmountable distance from the divine and shifts between despair and hope.

pdf

Share

Additional Information

ISSN
2056-5666
Print ISSN
0148-3331
Pages
pp. 252-271
Launched on MUSE
2020-06-30
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.