*Ainsworth, Adam, Oliver Double, and Louise Peacock. Popular Performance. London: Bloomsbury, 2017.
Alston, Adam, and Martin Welton. Theatre in the Dark. London: Bloomsbury, 2017.
Angelaki, Vicky. Social and Political Theatre in 21st-Century Britain. London: Bloomsbury, 2017.
Aronson, Arnold. The History and Theory of Environmental Scenography, Second Edition. London: Bloomsbury Methuen Drama, 2018.
Auslander, Philip. Reactivations: Essays on Performance and Its Documentation. Ann Arbor: U of Michigan P, 2018.
Ball, James R. III. Theater of State: A Dramaturgy of the United Nations. Evanston: Northwestern UP, 2019.
*Bennett, Susan. Theory for Theatre Studies: Sound. London: Methuen Drama, 2019.
*Bennett, Susan and Sonia Massai. Ivo Van Hove: From Shakespeare to David Bowie. London: Methuen Drama, 2018.
Berzal de Dios, Javier. Visual Experiences in Cinquecento Theatrical Spaces. Toronto: U of Toronto P, 2019.
*Bleeker, Maaide, Adrian Kear, Joe Kelleher, and Heike Roms, eds. Thinking Through Theatre and Performance. London: Methuen Drama, 2019.
*Boyle, Michael Shane, Matt Cornish, and Brandon Woolf. Postdramatic Theatre and Form. London: Methuen Drama, 2019.
**Brejzek, Thea, and Lawrence Wallen. The Model as Performance. London: Bloomsbury, 2018.
Bryer, Jackson R. and Ben Siegel, eds. Conversations with Neil Simon. Jackson: University of Mississippi Press, 2019.
Bull, John. British Theatre Companies, 1965-1979. London: Bloomsbury Methuen Drama. 2017.
Calihman, Matthew and Gerlad Early, eds. Approaches to Teaching Baraka's Dutchman. New York: The Modern Language Association of America, 2018.
Cameron, David, Michael Anderson, and Rebecca Wotzko. Drama and Digital Arts Cultures. London: Bloomsbury, 2017.
*Campbell, Ali. The Theatre of the Oppressed in Practice Today: An Introduction to the Work and Practices of Augusto Boal. London: Methuen Drama, 2019.
*Carlson, Marla. Affect, Animals, and Autists: Feeling Around the Edges of the Human in Performance. Ann Arbor: U of Michigan P, 2018.
Conti, Meredith. Playing Sick: Performances of Illness in the Age of Victorian Medicine. London: Routledge, 2019.
Corcoran, Neil. Reading Shakespeare's Soliloquies: Text, Theatre, Film. London: Bloomsbury Arden Shakespeare, 2018.
Croall, Jonathan. Performing Hamlet: Actors in the Modern Age. London: Bloomsbury Arden Shakespeare, 2018.
Crossley, Mark, and James Yarker. Devising Theatre with Stan's Café. London: Bloomsbury, 2017.
*Daddario, Will. Baroque, Venice, Theatre, Philosophy. London: Palgrave MacMillan, 2018.
*Dharwadker, Aparna Bhargava, ed. A Poetics of Modernity: Indian Theatre Theory, 1850 to the Present. Oxford: Oxford UP, 2019.
Dragicevich, Milan. The Persuasive Actor: Rhetorical Power on the Contemporary Stage. Indianapolis: Focus, 2019.
Dromgoole, Dominic. Hamlet Globe to Globe. New York: Grove Press, 2017.
**Dudeck, Theresa Robbins and Caitlin McClure, eds. Applied Improvisation: Leading, Collaborating, and Creating Beyond the Theatre. London: Methuen Drama, 2018.
*Edmondson, Laura. Performing Trauma in Central Africa: Shadows of Empire. Bloomington: Indiana UP, 2018.
Eichen, Carolyn Grattan. From San Francisco Eastward: Victorian Theater in the American West. Reno & Las Vegas: University of Nevada Press, 2020.
*Elam, Keir. Shakespeare's Pictures: Visual Objects in the Drama. London: Bloomsbury, 2017.
Farfan, Penny. Performing Queer Modernism. Oxford: Oxford UP, 2018.
*Fragkou, Marissia. Ecologies of Precarity in Twenty-First Century Theatre: Politics, Affect, Responsibility. London: Methuen Drama, 2018.
*Galella, Donatella. America in the...