- Singing, and: Blood Territory, and: Reading
Singing
While on their way, they would make the dense old woods, for miles around, reverberate with their wild songs, revealing at once the highest joy and the deepest sadness. They would compose and sing as they went along, consulting neither time nor tune. The thought that came up, came out—if not in the word, in the sound;—and as frequently in the one as in the other.
—Narrative of the Life of Frederick Douglass (1845)
As our best selves, we might be those dense old woods, treesat wordless attention, feeling the crying vibrationand echo of that music.We are Maryland wood: ash, white oak, hickory andmaybe a stand of loblolly pine. The books could tell us our names.It is likely morning, cool and gray. There is the distant scentof wood smoke and pork fat. The soundof an ax. It seems even the birdshave stopped to listen for the moment,some time back in the pages of the centurieswhere there really is nowhere to go,no more work to be done.What is the pitch of that joy, the tempoof that sadness?One voice singing from afar, another answering closerthese shadows that move slowly among us, some barefootsome shod on the leaves and twigsand ever-listening earth. [End Page 141]
Blood Territory
There are songs, and there aregood songs. The path into your blood,your pulse a footfall againsthardening mud. Terror in thatterritory, fear of what's preservedin the woods, along with the cominghustle of shoots, the lasciviousnessof leaves, what's lost alongpower lines, what's crushed on openasphalt. The river rises to its ownsurface, a twisted bit of logic mixedwith tannins and travel. These late-winter branches are dendrites fullof memories, kept secrets of trees.
Reading
Graffiti letters the rusted steel of these dawn-lit freight boxes, blue bubblescript outlined in white, Almighty, yellow lightning bolted throughblack borders, red and green Afros, text nextto illegible, just how much such words suppose, and therea face painted like looking out, slantwise eyes reading the divideacross the river. [End Page 142]
Daniel Fliegel is a longtime public schoolteacher in Chicagoland and is the poetry editor for TriQuarterly. Other poems from his recent manuscript, Road, River, Forest, are published in Adirondack Review, Cold Mountain Review, Construction, and Jet Fuel.