Abstract

Abstract:

Paschasius Radbertus authored a massive Commentary on Matthew during the middle decades of the Ninth Century amid the intellectual blossoming of the Carolingian Renewal. Inspired by an episode from Cicero's De Inventione, Paschasius likened his effort to that of a great artist painting an image of Helen of Troy. In light of his explanation, an exploration of Paschasius' use of the image illumines his theological method, particularly the importance of tradition and of mimesis both to his biblical exegesis and to his theological work more generally. Further, the study highlights Paschasius' individual genius while also pointing to his representativeness among early medieval theologians. The essay concludes by noting Paschasius' connection to and influence on pivotal later medieval and modern theological enterprises.

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