Abstract

This article combines a historical investigation with critical analysis of Suspicion (1941), a film long undervalued because of misinformation about its production history. This essay provides a documented account of Suspicion from novel to screenplay to release, considering issues of script adaptation, censorship, responses of preview audiences, and the promotion of Hitchcock as the movie's third star.

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Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 3-26
Launched on MUSE
2002-08-01
Open Access
No
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