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  • Contributors

Kate Fortmueller is an assistant professor at the University of Georgia. Her research on media labor appears in Film History, Historical Journal of Film, Radio, and Television, and is forthcoming in Television & New Media.

Tanya Horeck is a reader in film, media, and culture at Anglia Ruskin University. She is the author of Public Rape: Representing Violation in Fiction and Film and the coeditor of The New Extremism in Cinema: From France to Europe and Rape in Stieg Larsson's Millennium Trilogy and Beyond. She recently completed the monograph Justice on Demand: True Crime in the Digital Streaming Era (Wayne State University Press, 2019).

Martin L. Johnson is an assistant professor of English and comparative literature at the University of North Carolina at Chapel Hill. His first book, Main Street Movies: The History of Local Film in the United States, was published by Indiana University Press in 2018.

Brandy Monk-Payton is an assistant professor of communication and media studies at Fordham University. Her articles have appeared in the journals Communication, Culture and Critique, Film Quarterly, Feminist Media Histories, and The Black Scholar as well as the edited collections From Madea to Media Mogul: Theorizing Tyler Perry (University Press of Mississippi, 2016) and Unwatchable (Rutgers University Press, 2019).

Alexander T. Russo is an associate professor in the Department of Media Studies at the Catholic University of America in Washington, DC. He is the author of Points on the Dial: Golden Age Radio beyond the Networks (Duke University Press, 2010) as well as various articles and chapters on the technology and cultural form of radio and television, sound studies, the development of "old" new media, the history of music and society, media infrastructures, and the relationship between media and space.

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