Abstract

Abstract:

This essay puts Donna Haraway’s “queer messmates” into conversation with Susan Stryker’s “creatures” in order to think about provisional queer kinship models in Djuna Barnes’s To the Dogs and Nightwood and Nathalie Djurberg’s Putting Down the Prey.

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Additional Information

ISSN
1925-5683
Print ISSN
0027-1276
Pages
pp. 73-89
Launched on MUSE
2020-04-02
Open Access
No
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