Dickens Quarterly Checklist

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Secondary Sources

Archibald, Diana C. “Many Kinds of Prisons: Charles Dickens on American Incarceration and Slavery.” Iperstoria – Testi Letterature Linguaggi, vol. 14, Fall/Winter 2019, pp. 43–53. http://www.iperstoria.it/joomla/images/PDF/Numero_14/Monografica/saggi_mono_14/Archibald_Iperstoria14_2019.pdf. Accessed 28 Jan. 2020.

Bin Zubair, Hassan, and Saira Tahir. “Relocating the Political Fiction and Historical Realities of the French Revolution: Presentation of French Bourgeois Society in Charles Dickens and Victor Hugo’s Literary Fiction.” Journal of Humanities and Social Sciences, vol. 1, no. 5, 2019, pp. 103–110. https://ssrn.com/abstract=3492596. Accessed 29 Jan. 2020.

Choe, Jian. “The Brontës and Christmas.” Brontë Studies: The Journal of the Brontë Society, vol. 45, no. 1, Jan. 2020, pp. 3–12. doi:10.1080/14748932.2020.1675398. Accessed 28 Jan. 2020.

Coons, Jayda. “‘Spectral realities’: Little Dorrit, Stereoscopy, and Nonmimetic Realism.” Nineteenth-Century Contexts, vol. 42, no. 1, Feb. 2020, pp. 17–31. doi:10.1080/08905495.2019.1686935. Accessed 29 Jan. 2020.

Denisoff, Dennis, and Talia Schaffer, editors. The Routledge Companion to Victorian Literature. Routledge, 2019. ISBN: 9781138579866.

Dickens Quarterly. Vol. 36, no. 4, Dec. 2019. [William F. Long, “The Men in Bellamy’s: Topicality and Political Partiality in an 1835 Sketch,” pp. 293–304; Galia Benziman, “Transcending Melancholia: Mourning the Mother in The Old Curiosity Shop and Dombey and Son,” pp. 305–17; Saverio Tomaiuolo, “Remembering Dickens: David Copperfield on Italian Television,” pp. 318–28; Joanna Hofer-Robinson, “Staging The Frozen Deep as Practice-led Research: ‘Illusion can only be perfected through the feelings,’” pp. 329–46; Victor Xavier Zarour Zarzar, “Authoring Desire: Great Expectations and the Bildungsroman,” pp. 347–61; Jonathan Buckmaster, review of Charles Dickens as an Agent of Change, edited by Joachim Frank and Lena Steveker, pp. 362–65; Elizabeth Bridgham, review of Darwinian Nature and Artistic Texts: Essays on Making/Unmaking, by Allan Conrad Christensen, pp. 365–69; Karen Bourrier, review of American Notes for General Circulation, by Charles Dickens, introduction by Diana Archibald, pp. 369–71; Sara Malton, report on the Fiftieth Annual Dickens Society Meeting, pp. 372–75; Kim Edwards Keates, “Dickens Quarterly Checklist,” pp. 380–82.]

The Dickensian. Vol. 115, part 2, no. 508, Summer 2019. [Malcolm Andrews, “From the Editor,” pp. 105–06; William F. Long, “William Grant to John Forster: A Previously Undescribed Memoir of Dickens,” pp. 107–27; Eva-Charlotta Mebius, “Robert Mudie and Dickens: A Possible Source for Oliver Twist,” pp. 128–42; Adam Grener and Markus Luczak-Roesch, “Reading Dickens through Data Science,” pp. 143–54; Maria Ioannou, “A ‘pretty’ Ending: Female Beauty, Agency and Identity in Bleak House,” pp. 155–68; Beryl Gray, “George Eliot (1819–1880): A Bicentenary Review of Her Relationship with Dickens,” pp. 169–82; Louis James, review of Special Correspondence and the Newspaper Press in Victorian Print Culture, 1850–1886, by Catherine Waters, pp. 184–85; Jeremy Tambling, review of The One, Other, and Only Dickens, by Garrett Stewart, pp. 186–87; Tony Williams, review of A Walk with Charles Dickens along the Thames, published by the Literary Map Company, pp. 187–89; Leonee Ormond, review of Van Gogh and Britain, exhibition at Tate Britain, pp. 191–93; Tony Williams, review of Global Dickens: For Every Nation upon Earth, exhibition at the Charles Dickens Museum, pp. 193–94; Cindy Sughrue, director, and Louisa Price and Frankie Kubicki, curators, “The Charles Dickens Museum,” pp. 213–15.]

The Dickensian. Vol. 115, part 3, no. 509, Winter 2019. [Ian Dickens, “From the New President,” pp. 221–22; Gail David-Tellis, “Breach of Code: The Rift between Mamie Dickens and Georgina Hogarth,” pp. 223–35; Abderrezzaq Ghafsi, “Dickens in Arabia: The Influence of Dickens on Algerian Literature and Culture,” pp. 236–45; Michael Slater, “Dickens in My Life,” pp. 246–51; William F. Long, “‘Mr. Charles Dickens on Catholicism,’” pp. 252–67; Ciaran Corsair, “Performing Dickens – 4,” pp. 268–71; Harry Lee Poe, “Poe, Dickens, and David Copperfield: Biography – But Whose?,” pp. 272–82; Paul Schlicke, review of Dickens’s Clowns: Charles Dickens, Joseph Grimaldi and the Pantomime of Life, by Jonathan Buckmaster, pp. 283–85; Tony Williams, review of Homes and Haunts: Touring Writers’ Shrines and...