Abstract

This article examines the Samuel Bronston production of El Cid (1960) and analyzes the process of cultural hybridization through which various myths of the Spanish national hero are stitched together and, in the process, reinterpreted to produce an epic movie for an international market.

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Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 79-103
Launched on MUSE
2000-11-01
Open Access
No
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