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  • Leonardo Reviews Online

OCTOBER 2019

Adaptation and Convergence of Media: "High" Cultural Intermediality versus Popular Culture Intermediality edited by Lily Díaz, Magda Dragu and Leena Elittä, Editors. Reviewed by Jan Baetens.

Biology in the Grid: Graphic Design and the Envisioning of Life by Phillip Thurtle. Reviewed by Amy Ione.

Brain Art: Brain-Computer Interfaces for Artistic Expression edited by Anton Nijholt. Reviewed by Cristina Albu.

Moon Museum 1969—Art and Space. Reviewed by Ana Peraica. [End Page 113]

Popular Viennese Electronic Music, 1990–2015: A Cultural History by Ewa Mazierska. Reviewed by Peter Beate.

The Supermarket of the Visible: Toward a General Economy of Images by Peter Szendy; translated by Jan Plug. Reviewed by Jan Baetens.

Tokyo Listening: Sound and Sense in a Contemporary City by Lorraine Plourde. Reviewed by John F. Barber.

Ways of Hearing by Damon Krukowski. Reviewed by John F. Barber.

SEPTEMBER 2019

South Side Venus: The Legacy of Margaret Burroughs by Mary Ann Cain. Reviewed by Kathryn Adams.

Becoming Past: History in Contemporary Art by Jane Blocker. Reviewed by Edith Doove.

Hybrid Practices: Art in Collaboration with Science and Technology in the Long 1960s, edited by David Cateforis, Steven Duval and Shepherd Steiner. Reviewed by John F. Barber.

High Weirdness: Drugs, Esoterica and Visionary Experience in the Seventies by Erik Davis. Reviewed by Stephanie Moran.

Surrealism at Play by Susan Laxton. Reviewed by Robert Maddox-Harle.

Making Space for the Dead: Catacombs, Cemeteries, and the Reimagining of Paris, 1780–1830 by Erin-Marie Legacey. Reviewed by Jan Baetens.

AUGUST 2019

Cognitive Theory and Documentary Film, edited by Catalin Brylla and Mette Kramer. Reviewed by Charles Forceville.

Designing an Internet by David D. Clark. Reviewed by Jan Baetens.

Ribbons of Darkness: Inferences from the Shadowy Arts and Sciences by Barbara Maria Stafford. Reviewed by Michael Punt.

The Technical Delusion: Electronics, Power, Insanity by Jeffrey Sconce. Reviewed by Amy Ione. [End Page 114]

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