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  • Books Received

Inclusion in this list neither implies nor precludes subsequent review. The editors regret that material sent for review cannot be acknowledged or returned.

Ein Gesangstraktat als Schlüssel zu Froberger: La Belle Methode von Jean Millet (1666). By Florian Bassani. Pp. 114. (Praesnes Verlag, Vienna, 2018. €21. ISBN 978-3-7069-0981-5.)
Debussy's Vocal Music and its Poetic Evocations. By Siglind Bruhn. Pp. 288. Dimension and Diversity Series, 13 (Pendragon Press, Hillsdale, NY, 2018. $58. ISBN 978-1-57647-315-3.)
Musical Theater in Eighteenth-Century Parma: Entertainment, Sovereignty, Reform. By Margaret Butler. Pp. xv þ 179. Eastman Studies in Music. (University of Rochester Press, Rochester, NY, and Woodbridge, 2018. £80. ISBN 978-1-58046-901-2.)
Orchestrating Public Opinion: How Music Persuades in Television Political Ads for US Presidential Campaigns, 1952–2016. By Paul Christiansen. Pp. 276. (Amsterdam University Press, Amsterdam, 2018. €84.99. ISBN 978-94-6298-188-1.)
Barocco padano e musici francescani II: L'apporto dei maestri conventuali. Atti del XVII Convegno internazionale sul barocco padano (secoli XVII–XVIII). Ed. by Alberto Colzani, Andrea Luppi, and Maurizio Padoan. Barocco Padano, 9. (Centro Studi Antoniani, Padua, 2018. €55. ISBN 978-88-95908-10-6.)
Nostalgia for the Future: Luigi Nono's Selected Writings and Interviews. Ed. by Angela Ida De Benedictis and Veniero Rizzardi. Pp. x þ 490. (University of California Press, Oakland, Calif., 2018. £30. ISBN 978-0-520-29120-1.)
Songs of Social Protest: International Perspectives. Ed. by Aileen Dillane, Martin J. Power, Eoin Devreux, and Amanda Haynes. Pp. x þ 672. Protest, Media and Culture. (Rowman & Littlefield, Lanham, Md., Boulder, Col., New York, and London, 2018. £145. ISBN 978-1-78660-125-4.)
The Cambridge History of Sixteenth-Century Music. Edited by Iain Fenlon and Richard Wistreich. Pp. xxi þ 520. The Cambridge History of Music. (Cambridge University Press, Cambridge and New York, 2019. £120. ISBN 978-0-521-19594-2.)
Music and Politics: An Introduction. By James Garratt. Pp. xiv þ 272. (Cambridge University Press, Cambridge and New York, 2019. £19.99. ISBN 978-1-107-68108-8.)
Being Time: Case Studies in Musical Temporality. By Richard Glover, Jennie Gottschalk, and Bryn Harrison. Pp. vii þ 189. (Bloomsbury Academic, London and New York, 2019. £19.99. ISBN 978-162356-494-0.)
The Routledge Companion to Music, Mind and Well-being.Ed. by Penelope Gouk, James Kennaway, Jacomien Prins, and Wiebke Thorma«hlen. Pp. xvii þ 329. Routledge Music Companions. (Routledge, New York and Abingdon, 2019. £175. ISBN 978-1-138-05776-0.)
With Mornefull Musique: Funeral Elegies in Early Modern England. By K. Dawn Grapes. Pp.xi þ 278. Music in Britain, 1600–2000. (Boydell Press, Woodbridge and Rochester, NY, 2018. £60 ISBN 978-1-78327-351-5.)
Arbeit an Musik: Reinhard Kapp zum 70 Geburtstag.Ed. by Markus Grassl, Stefan Jena, and Andreas Vejvar. Pp. 727. (Praesens Verlag, Vienna, 2017. €76.70. ISBN 978-3-7069-0904-4.)
Delius and the Sound of Place. By Daniel Grimley. Pp. xxiii þ 312. Music in Context. (Cambridge University Press, Cambridge and New York, 2019. £75. ISBN 978-1-107-46039-1.)
Jon Eccles:The Judgment of Paris. Ed. by Eric J. Harbeson. Recent Researches in Music of the Baroque Era, 203. (A-R Editions, Middleton, Wis., 2018. $165. ISBN 978-0-9872-0016-4.)
A Theory of Virtual Agency for Western Art Music. By Robert S. Hatten. Pp. x þ 326. Musical Meaning and Interpretation. (Indiana University Press, Bloomington and Indiana, 2018. £24.99. ISBN 978-0-253-03798-5.)
The Cambridge Encyclopedia of Brass Instruments. Ed. by Trevor Herbert, Arnold Myers, and John Wallace. Pp. xxi þ 612. (Cambridge University Press, Cambridge and New York, 2019. £94.99. ISBN 978-1-107-18000-0.)
Exploring Virtuosities: Heinrich Wilhelm Ernst, Nineteenth-Century Musical Practices and Beyond. Ed. by Christine Hoppe, Melanie von Goldbeck, and Maiko Kawabata. Pp. 413. Göttingen Studies in Musicology. (Georg Olms Verlag, Hildesheim, Zurich, and New York, 2018. €53. ISBN 978-3-487-15662-0.)
Piety and Polyphony in Sixteenth-Century Holland: The Choirbooks of St Peter's Church, Leiden. By Eric Jas.Pp. xvi þ 416. (Boydell Press, Woodbridge and Rochester, NY, 2018. £60 ISBN 978-1-78327-326-3.)
Fruits of the Cross: Passiontide Music Theater...


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