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"Journeys of Adventure among Its Far-Flung Debris": Three Theories of the Blockbuster Explosion Spectacle
- JCMS: Journal of Cinema and Media Studies
- University of Texas Press
- Volume 59, Number 2, Winter 2020
- pp. 1-22
- 10.1353/cj.2020.0000
- Article
- Additional Information
Abstract:
Existing critical accounts of the blockbuster explosion spectacle cast it as a cynically commercial bid for spectatorial sensation. This article, however, argues that the optico-social, aesthetic, and political affordances of the effects-oriented explosion spectacle are far more radical than these accounts allow. To advance this argument, I shuttle between reappraisals of the work of three key early film theorists—Benjamin, Epstein, and Eisenstein—and close analyses of the celebrated "Quicksilver" explosion set piece in X-Men: Apocalypse (Bryan Singer, 2016). In the process, I seek both to enrich our understanding of this culturally ubiquitous and critically neglected blockbuster microgenre and to draw attention to the value of early film theory as a resource for blockbuster studies.