Leonardo Volume 52 and Leonardo Music Journal Volume 29

AGUIRRE, JUAN CAMILO; CALVA-CHI, SANDRA MERCEDES; and GIL, ANDRÉS FELIPE. "'Manifiesto Manizales' Una Experiencia Trans-disciplinar," Leonardo 52, No. 2 (2019).

ANDERSON, CASEY, with BENT DUO. "'Page 7' from ghostses," Audio Track, "LMJ29 Audio Companion," Leonardo Music Journal 29 (2019).

AO, MENGXING, and XU, YING-QING. "Epistemic Ecology: An Artwork of Gigapixel Imagery and Ideas," Leonardo 52, No. 2 (2019).

ARAUJO, PATXI. "The Trained Par-ticles Circus: Dealing with Attrac-tors, Automatons, Ghosts and Their Shadows," Leonardo Special Issue: SIGGRAPH 2019 Art Papers and Pro-liferating Possibilities Art Gallery, Leonardo 52, No. 4 (2019).

ARNS, INKE. "Zero Gravity, Anti-Mime-sis and the Abolition of the Horizon: On Cosmokinetic Cabinet Noor-dung's 'Postgravity Art,'" Leonardo 52, No. 1 (2019).

ASSI, ANTHONY. "Gaze Relations: A Critical Analysis of Human Gaze and Computer Vision," in Special Section "Top-Rated LABS Abstracts 2018," Leonardo 52, No. 5 (2019).

ATASSI, LILAC. "Reducing the Effect of Imperfect Microphone and Speaker in Audio Feedback Systems," Leonardo Music Journal 29 (2019).

AUSTEN, KAT. "Sounding Dispersal as a Route to Empathy with the Chang-ing Arctic," Leonardo Music Journal 29 (2019).

BAETENS, JAN. Review of Cognitive Gadgets: The Cultural Evolution of Thinking by Cecilia Heyes, Leonardo 52, No. 3 (2019).

BAETENS, JAN. Review of Digital Renaissance: What Data and Economics Tell Us about the Future of Popular Culture by Joel Waldfogel, Leonardo 52, No. 5 (2019).

BAETENS, JAN. Review of Diva Nation: Female Icons from Japanese Cultural Culture edited by Laura Miller and Rebecca Copeland, Leonardo 52, No. 5 (2019).

BAETENS, JAN. Review of List Cultures: Knowledge and Poetics from Mesopota-mia to BuzzFeed by Liam Cole Young, Leonardo 52, No. 1 (2019).

BAETENS, JAN. Review of Never Alone, Except For Now: Art, Networks, Populations by Kris Cohen, Leonardo 52, No. 1 (2019).

BAETENS, JAN. Review of Passwords: Philology, Security, Authentication by Brian Lennon, Leonardo 52, No. 2 (2019).

BAETENS, JAN. Review of A Taste for the Beautiful: The Evolution of Attraction by Michael J. Ryan, Leonardo 52, No. 1 (2019).

BAETENS, JAN. Review of Traversals: The Use of Preservation for Early Electronic Writing by Stuart Moulthrop and Dene Grigar, foreword by Joseph Tabbi, Leonardo 52, No. 3 (2019).

BAETENS, JAN, and SÂNCHEZ-MESA, DOMINGO. "A Note on 'Demediation': From Book Art to Transmedia Storytelling," Leonardo 52, No. 3 (2019).

BAHR, GISELA SUSANNE; ALLEN, WILLIAM H.; BERNHARD, PHILIP J.; and WOOD, STEPHEN. "The Artificial Memory of Mr. Polly: Memory Simulation in Databases and the Emergence of Knowledge," in Special Section "ArtScience," Leonardo 52, No. 3 (2019).

BARBER, JOHN F. Review of Designed for Hi-Fi Living: The Vinyl LP in Mid-century America by Janet Borgerson and Jonathan Schroeder, Leonardo 52, No. 2 (2019).

BARBER, JOHN F. Review of High Static, Dead Lines: Sonic Spectres and the Ob-ject Hereafter by Kristen Gallerneaux, Leonardo 52, No. 5 (2019).

BARBER, JOHN F. Review of Introduction to Graphic Design: A Guide to Thinking, Process, and Style by Aaris Sherin, Leonardo 52, No. 3 (2019).

BARBER, JOHN F. Review of Success through Failure: The Paradox of Design by Henry Petroski, Leonardo 52, No. 3 (2019).

BERRIE, BARBARA H. "Color | Space | Time," in "Scientific Delirium Mad-ness 5.0" Gallery section, Leonardo 52, No. 3 (2019).

BIGGS, SIMON. "Exiting the Comfort Zone: From Algorithm to Interaction in the Early Work of Simon Biggs," in Special Section "Pioneers and Path-breakers," Leonardo 52, No. 3 (2019).

BOGANA, ALAN. "Misinterpreting Landscape," in "Scientific Delirium Madness 5.0" Gallery section, Leo-nardo 52, No. 3 (2019).

BRADY, SARAH ROSALENA. "Hybrid Reconfigurations," in "Scientific De-lirium Madness 5.0" Gallery section, Leonardo 52, No. 3 (2019).

BRADY, SARAH ROSALENA. "Shape-shifting the Colonial Object," in Special Section "Top-Rated LABS Abstracts 2018," Leonardo 52, No. 5 (2019).

BROECKMANN, ANDREAS. "Alex Adriaansens: 1953-2018," in Special Section "Pioneers and Pathbreakers," Leonardo 52, No. 3 (2019).

ÇAMCI, ANIL, and GRANZOW, JOHN. "Hyperreal Instruments: Bridging VR and Digital Fabrication to Facilitate New Forms of Musical Expression," Leonardo Music Journal 29 (2019).

CARREIRA, LIA. "Experimental Curating in Times of the Perpetual Beta: Strategies and Platforms for Online-Based Art," in Special Section "Top-Rated LABS Abstracts 2018," Leonardo 52, No. 5 (2019).

CHEN, CAROLYN. "This Is a Scream," Audio Track, "LMJ29 Audio Com-panion," Leonardo Music Journal 29 (2019).

CIFUENTES QUIN, CAMILO ANDRÉS. "The Platonic Forehand and Back-hand of Cybernetic Architecture," Leonardo 52, No. 5 (2019).

CLAUS, JÛRGEN. "Leonardo, a Ho-logram: Still Unmatched, 500 years after His Death," Leonardo 52, No. 3 (2019).

CLAUS, JÛRGEN. "Sound Structures Experienced Underwater," Leonardo Music Journal 29 (2019).

CONSTANTINO, VALERIE. "Instinct Extinct: The Great Pacific Flyway," Leonardo 52, No. 1 (2019).

CONTRERAS-VIDAL, JOSE L.; KEVER, JEANNIE; ROBLETO, DARIO; and ROSENGREN, JAMES. "At the Cross-roads of Art and Science: Neuroaes-thetics Begins to Come into Its Own," Leonardo 52, No. 1 (2019).

COSTANTINI, GIOVANNA L. Review of 12th Conference of the European Society for Literature, Science and the Arts: Green chaired by Jens Hauser, Louise Whiteley and Adam Bencard, Leonardo 52, No. 2 (2019).

COUCHOT, EDMOND. "Automatism, Autonomy and Aesthetics in the Per-forming Arts," Leonardo 52, No. 3 (2019).

CZEGLEDY, NINA. "Reflections on the Leonardo 50th Anniversary Celebrations," Leonardo 52, No. 3 (2019).

DANCOFF, JUDITH. "After Djerassi," in "Scientific Delirium Madness 5.0" Gallery section, Leonardo 52, No. 3 (2019).

DE CIANTIS, CHERYL. "The Return of Hephaistos: Reconstructing the Fragmented Mythos of the Maker," in Special Section "Top-Rated LABS Abstracts 2018," Leonardo 52, No. 5 (2019).

DE CROMBRUGGHE, GUERRIC, and DE WILDE, FREDERIK. "Artistic Approaches to Design and Manu-facturing Techniques Dedicated to Space Applications," Leonardo 52, No. 3 (2019).

DEVADOSS, SATYAN L., and SCHUH, OWEN. "Cartography of Tree Space," Leonardo 52, No. 3 (2019).

DIE REIHE, "106 Kerri Chandler Chords," Audio Track, "LMJ29 Audio Companion," Leonardo Music Journal 29 (2019).

DIELS, NATACHA; MOORE, ZACH; and SCRANTON, SAM. "Please Don't Go," Audio Track, "LMJ29 Audio Companion," Leonardo Music Journal 29 (2019).

DIXON, STEVE. "Cybernetic-Existentialism in Performance Art," Leonardo 52, No. 3 (2019).

DOMNITCH, EVELINA; GELFAND, DMITRY; and CALARCO, TOMMASO. "Trapping the Objectless," in Special Section "FEAT," Leonardo 52, No. 1 (2019).

DOOVE, EDITH. Review of Arts of Liv-ing on a Damaged Planet: Ghosts and Monsters of the Anthropocene edited by Anna Lowenhaupt Tsing, Heather Anne Swanson, Elaine Gan and Nils Buband, Leonardo 52, No. 1 (2019).

DOOVE, EDITH. Review of Brouhaha: Worlds of the Contemporary by Lionel Ruffel, translated by Raymond N. MacKenzie, Leonardo 52, No. 2 (2019).

DOOVE, EDITH. Review of Ecology without Culture: Aesthetics for a Toxic World by Christine L. Marran, Leo-nardo 52, No. 3 (2019).

DOOVE, EDITH. Review of Powers of Time: Versions of Bergson by David Lapoujade, translated by Andrew Gof-fey, Leonardo 52, No. 5 (2019).

DRAYSON, HANNAH. The Internet Trap: How the Digital Economy Builds Monopolies and Undermines Democ-racy by Matthew Hindman, Leonardo 52, No. 3 (2019).

DRISCOLL, MEGAN. "Art on the Internet and the Digital Public Sphere, 1994-2003," in Special Section "Top-Rated LABS Abstracts 2018," Leonardo 52, No. 5 (2019).

DUMITRIU, ANNA, and GOLDBERG, SARAH. "Make Do and Mend: Exploring Gene Regulation and CRISPR through a FEAT (Future Emerging Art and Technology) Residency with the MRG-Grammar Project," in Special Section "FEAT," Leonardo 52, No. 1 (2019).

DYKE, PHIL. Review of The Beauty of Numbers in Nature: Mathematical Pat-terns and Principles from the Natural World by Ian Stewart, Leonardo 52, No. 1 (2019).

DYKE, PHIL. Review of The Prime Number Conspiracy edited by Thomas Lin, foreword by James Gleick, Leonardo 52, No. 5 (2019).

EMMER, MICHELE. "How a Mathema-tician Started Making Movies," in Special Section "Pioneers and Path-breakers," Leonardo 52, No. 2 (2019).

ERGENZINGER, KERSTIN. "Nubis et Nuclei: A Study on Noise and Precision," in Special Section "FEAT," Leonardo 52, No. 1 (2019).

FAN, YUAN-YI. "Algorithmic Spatializa-tion Using Object-Based Audio and Indoor Positioning System," Leonardo Music Journal 29 (2019).

FAN, ZHENBAO; ZHANG, KANG; and ZHENG, XIANJUN SAM. "Evaluation and Analysis of White Space in Wu Guanzhong's Chinese Paintings," Leonardo 52, No. 2 (2019).

FANG, KE; SHI, DANQING; QIAN, YUNZI; LI, YIN; and YU, JUNJIE. "The Collider," Leonardo 52, No. 2 (2019).

FROST, CHARLOTTE. "Digital Critics: The Early History of Online Art Criti-cism," Leonardo 52, No. 1 (2019).

GALATI, GABRIELA. Review of Bioaesthetics: Making Sense of Life in Science and the Arts by Carsten Strathausen, Leonardo 52, No. 1 (2019).

GEPP, DAVID. "Stirring the Porridge with Albert E," Leonardo 52, No. 5 (2019).

GOLLIFER, SUE. "ACM SIGGRAPH Distinguished Artist Award for Life-time Achievement in Digital Art: Donna J. Cox," Leonardo Special Issue: SIGGRAPH 2019 Art Papers and Proliferating Possibilities Art Gallery, Leonardo 52, No. 4 (2019).

GOODSELL, DAVID S. "Looking Back in Time," in "Scientific Delirium Madness 5.0" Gallery section, Leonardo 52, No. 3 (2019).

GORDON, THEODORE. "Bay Area Experimentalism: Music and Technology in the Long 1960s," in Special Section "Top-Rated LABS Abstracts 2018," Leonardo 52, No. 5 (2019).

GRAU, OLIVER; HALLER, SEBASTIAN; HOTH, JANINA; RÛHSE, VIOLA; SCHILLER, DEVON; and SEISER, MICHAELA. "Documenting Media Art: An Archive and Bridging Thesaurus for MediaArtHistories," Leonardo 52, No. 5 (2019).

GRISTWOOD, SIMONE. "Hiroshi Kawano (1925-2012): Japan's Pioneer of Computer Arts," in Special Section "Pioneers and Pathbreakers," Leo-nardo 52, No. 1 (2019).

HA, BYEONGWON. "Nam June Paik's Unpublished Korean Article and His Interactive Musique Concrète Projects," Leonardo Music Journal 29 (2019).

HAN, YOON CHUNG and SURVE, PRAFUL. "Eyes," Leonardo Special Issue: SIGGRAPH 2019 Art Papers and Proliferating Possibilities Art Gallery, Leonardo 52, No. 4 (2019).

HARLE, ROB. Review of David Smith: Collected Writings, Lectures, and Interviews edited by Susan J. Cooke, Leonardo 52, No. 1 (2019).

HARLE, ROB. Review of Poetic Conventions as Cognitive Fossils by Reuven Tsur, Leonardo 52, No. 2 (2019).

HARRISON, NEWTON. "Helen Harrison: 1927-2018," in Special Section "Pioneers and Pathbreakers," Leo-nardo 52, No. 3 (2019).

HARROWER, JENNIFER. "Merging Art, Science and Motherhood to Save Joshua Trees," Leonardo 52, No. 5 (2019).

HARVEY, CLAIRE; HOLTZMAN, EM-ILY; KO, JOY; HAGAN, BROOKS; WU, RUNDONG; MARSCHNER, STEVE; and KESSLER, DAVID. "Weaving Objects: Spatial Design and Functionality of 3D-Woven Textiles," Leonardo Special Issue: SIGGRAPH 2019 Art Papers and Proliferating Possibilities Art Gallery, Leonardo 52, No. 4 (2019).

HARWOOD, TRACY. "Cocurated Digital Culture: Machinima," Leonardo 52, No. 2 (2019).

HEANEY, LIBBY. "Quantum Computing and Complexity in Art," Leonardo 52, No. 3 (2019).

HEMMENT, DREW; BELLE, VAISHAK; AYLETT, RUTH; MURRAY-RUST, DAVE; PSCHETZ, LARISSA; and BROZ, FRANK. "Toward Fairness, Morality and Transparency in Artifi-cial Intelligence through Experiential AI," Leonardo 52, No. 5 (2019).

HENNIES, SARAH. "Queer Trash," Audio Track, "LMJ29 Audio Com-panion," Leonardo Music Journal 29 (2019).

HINTERWALDNER, INGE. "Systems Perspectivation as a General Basis for Computer Simulations," Leonardo 52, No. 1 (2019).

HOLDEN, SUSAN. "Nicolas Schôffer's SCAM: An Aesthetic Perturbation in the Urban Field," Leonardo 52, No. 1 (2019).

HOSKING, DAVID. "Art Let Loose: Autonomous Procedures in Art-Making," Leonardo 52, No. 5 (2019).

HSU, AURIE, and KEMPER, STEVEN. "Enacting Sonic-Cyborg Performance through the Hybrid Body in Teka-Mori and Why Should Our Bodies End at the Skin?" Leonardo Music Journal 29 (2019).

HU, GUOSHENG. "Affective Quantification of Color Gestalt: Modeling of Affective Factors for Combinative Color Design," Leonardo 52, No. 2 (2019).

HUTCHINSON, JANE. Review of Dis-playing Time: The Many Temporalities of the Festival of India by Rebecca M. Brown, Leonardo 52, No. 5 (2019).

IONE, AMY. Review ofBlack Out: Silhouettes Then and Now by Asma Naeem, Leonardo 52, No. 3 (2019).

IONE, AMY. Review of Consecrating Science: Wonder, Knowledge, and the Nat-ural World by Lisa H. Sideris, Leonardo 52, No. 1 (2019).

ISLEY, VICKY, and SMITH, PAUL. "Simulated Despondency for Robots in Distress," in Special Section "FEAT," Leonardo 52, No. 1 (2019).

JANG, JI YOON; HA, BYEONGWON; and LEE, BYUNGJOO. "Survey and Analysis of Interactive Art Documentation, 1979-2017," Leonardo 52, No. 3 (2019).

JOVICEVIC, JASNA. "Flow Vertical: Composing and Improvising Original Music Inspired by Bodily Sound Vibrations," Leonardo Music Journal 29 (2019).

KEMPER, STEVEN and CYPESS, RE-BECCA. "Can Musical Machines Be Expressive? Views from the Enlight-enment and Today," Leonardo 52, No. 5 (2019).

KIM, MINSEO, and KIM, JEOUNG-HOON. "Complementary Quantitative Approach to Unsolved Issues in Art History: Similarity of Visual Fea-tures in the Paintings of Vermeer and His Probable Mentors," Leonardo 52, No. 2 (2019).

KIM-BOYLE, DAVID. "3D Notations and the Immersive Score," Leonardo Music Journal 29 (2019).

KIRKE, ALEXIS. "Application of Musical Computing to Creating a Dynamic Reconfigurable Multilayered Chamber Orchestra Composition," Leo-nardo Music Journal 29 (2019).

KNIGHT, MARGOT H. Curator's Introduction, in "Scientific Delirium Madness 5.0," Leonardo 52, No. 3 (2019).

LANDESBERG, AMY. "Wet 'n Wild Contour Brush Bouquet For Djerassi, 2018," in "Scientific Delirium Mad-ness 5.0" Gallery section, Leonardo 52, No. 3 (2019).

LAUZZANA, RAY. "Computer Memoirs of Ray Lauzzana," in Special Section "Pioneers and Pathbreakers," Leo-nardo 52, No. 2 (2019).

LAYNG, KRIS; PERLIN, KEN; HER-SCHER, SEBASTIAN; BRENNER, CORINNE; and MEDURI, THOMAS. "CAVE: Making Collective Virtual Narrative," Leonardo Special Issue: SIGGRAPH 2019 Art Papers and Proliferating Possibilities Art Gallery, Leonardo 52, No. 4 (2019).

LEGGETT, MIKE. Review of Aerial After-maths: Wartime from Above by Caren Kaplan, Leonardo 52, No. 2 (2019).

LEGGETT, MIKE. Review of Atlas of Poetic Botany by Francis Hallé, trans-lated by Erik Butler, Leonardo 52, No. 5 (2019).

LEGGETT, MIKE. Review ofDonna Har-away: StoryTelling for Earthly Survival directed by Fabrizio Terranova, Leo-nardo 52, No. 5 (2019).

LEGGETT, MIKE. Review of Eternity Has No Doors of Escape directed by Arthur Bornis, Leonardo 52, No. 5 (2019).

LEIGH, SANG-WON; ROSEWAY, ASTA; and PARADISO, ANN. "Remnance of Form: Interactive Shadows as Altered Views of Objects," Leonardo 52, No. 3 (2019).

LI, JIABAO; DENG, HONGHAO; and MICHALATOS, PANAGIOTIS. "TransVision: Exploring the States of the Visual Field in the Age of Extreme Augmentation," Leonardo Special Issue: SIGGRAPH 2019 Art Papers and Proliferating Possibilities Art Gallery, Leonardo 52, No. 4 (2019).

LUERS, WILL. Review of Movement, Action, Image, Montage: Sergei Eisenstein and the Cinema in Crisis by Luka Ar-senju, Leonardo 52, No. 3 (2019).

LUERS, WILL. Review of Toward Fewer Images: The Work of Alexander Kluge, 1st Edition by Philipp Ekardt, Leo-nardo 52, No. 5 (2019).

LUO, HE-LIN; LIN, JINYAO; and HUNG, YI-PING. "Interactive Art—Smiling Buddha: Recording the Moment at Which an Observer Smiles through Sight Detection and Smile Recognition," Leonardo 52, No. 2 (2019).

LUO, JIELIANG and ZHANG, WEIDI. "LAVIN," Leonardo Special Issue: SIGGRAPH 2019 Art Papers and Pro-liferating Possibilities Art Gallery, Leonardo 52, No. 4 (2019).

MABUCHI, HIDEO. "Beyond Borrowing," in "Scientific Delirium Madness 5.0" Gallery section, Leonardo 52, No. 3 (2019).

MACGILLIVRAY, CAROL. "Choreographing Time: Developing a System of Screen-Less Animation," in Special Section "Top-Rated LABS Abstracts 2018," Leonardo 52, No. 5 (2019).

MADDOX-HARLE, ROBERT. Review of In the Grand Tradition: The Enduring Art of Elbert Weinberg edited by Nancy Finlay, Leonardo 52, No. 3 (2019).

MAY, FELIX. "The Liminal Period: A Manifesto for Living Art," Leonardo 52, No. 2 (2019).

MENDOZA, NEIL. "Robotic Voice-Activated Word-Kicking Machine," Leo-nardo Special Issue: SIGGRAPH 2019 Art Papers and Proliferating Possibili-ties Art Gallery, Leonardo 52, No. 4 (2019).

MILLER, BARBARA L. "Transdimensional Space: From Moholy-Nagy to Doctor Who," Leonardo 52, No. 2 (2019).

MIRANDA, EDUARDO R. Introduction to LMJ 29, Leonardo Music Journal 29 (2019).

MOSHER, MIKE. Review of Perfections Therapy: An Essay on Albrecht Dùrer's "Melencolia I" by Mitchell B. Mer-back, Leonardo 52, No. 2 (2019).

MULLIGAN, JOHN; WETTERGREEN, MATTHEW; JIN, YING; RASICH, BENJAMIN; and PHILLIPS, ISAAC. "The Electronic Vesalius: Embodying Anatomy Atlases," Leonardo 52, No. 1 (2019).

NAKAYASU, AKIRA. "Tentacle Flora," Leonardo Special Issue: SIGGRAPH 2019 Art Papers and Proliferating Pos-sibilities Art Gallery, Leonardo 52, No. 4(2019).

NOLL, A. MICHAEL. "The VanDerBeek-Knowlton Movies," in Special Section "Pioneers and Pathbreakers," Leo-nardo 52, No. 3 (2019).

OBJECT COLLECTION. "'Attack the Two-Tiered Health Care System' from Ifs All True," Audio Track, "LMJ29 Audio Companion," Leonardo Music Journal 29 (2019).

OBJECT COLLECTION. "'Why Aren't You Guys Dancing' from Ifs All True," Audio Track, "LMJ29 Audio Com-panion," Leonardo Music Journal 29 (2019).

OLIVER, KENDRA H.; MOLL, EVE; and MURPHY, MARILYN. "The Woman Scientist: Brief Reflections on the Visual Representation of Women," Leonardo 52, No. 3 (2019).

OPPENHEIMER, ALAN B. "Ranking Artists: An Internet-Era Analysis," Leonardo 52, No. 2 (2019).

OSTROWSKI, MATTHEW. "Summerland: Exploring the Intersection of Spiritualism and Technology at the Dawn of the Electrical Age," Leonardo Music Journal 29 (2019).

PARIKKA, JUSSI. Review of Weather as Medium: Toward a Meteorological Art by Janine Randerson, Leonardo 52, No. 5 (2019).

PARK, JIN WAN. "Secrets of Balanced Composition as Seen through a Painter's Window: Visual Analyses of Paintings Based on Subset Bary-center Patterns," Leonardo Special Issue: SIGGRAPH 2019 Art Papers and Proliferating Possibilities Art Gallery, Leonardo 52, No. 4 (2019).

PAYLING, DAVE. "Approaches to Composition in Visual Music: An Artist's Reflection on Three Original Pieces," Leonardo Music Journal 29 (2019).

PEARLMAN, ELLEN. "Is There a Place in Human Consciousness Where Surveillance Cannot Go? Noor: A Brain Opera," in Special Section "Top-Rated LABS Abstracts 2018," Leonardo 52, No. 5 (2019).

PERAICA, ANA. Review of Immedia-tions: The Humanitarian Impulse in Documentary by Pooja Rangan, Leo-nardo 52, No. 2 (2019).

PERAICA, ANA. Review of Nonhuman Photography by Joanna Zylinska, Leonardo 52, No. 1 (2019).

PETERSEN, STEPHEN. Review of The Man Who Walked in Color by Georges Didi-Huberman, translated by Drew S. Burk, Leonardo 52, No. 2 (2019).

PETRIC, SPELA, and TURSIIC, MIHA. "Becoming.a(Thing): An Artists' Perspective on High-Performance Computing," in Special Section "FEAT," Leonardo 52, No. 1 (2019).

PINKEL, SHEILA. Introduction to Special Section "Top-Rated LABS Abstracts 2018," Leonardo 52, No. 5 (2019).

PON, AURA. "Designing for the Mind-body in Technology-Mediated Music-Making," in Special Section "Top-Rated LABS Abstracts 2018," Leonardo 52, No. 5 (2019).

POPPER, FRANK. "Art, Science, Technology: Six Exhibitions 1966-1998," in Special Section "Pioneers and Path-breakers," Leonardo 52, No. 2 (2019).

PREM, ERICH. "Truth Emerging from Leading-Edge Art/Science/Technol-ogy Interaction," in Special Section "FEAT," Leonardo 52, No. 1 (2019).

PUNT, MICHAEL. Review of Seeing: How Light Tells Us About the World by Tom Cornsweet, Leonardo 52, No. 1 (2019).

RAHMANI, AVIVA. "The Music of the Trees: The Blued Trees Symphony and Opera as Environmental Research and Legal Activism," Leonardo Music Journal 29 (2019).

RANSOM, BRITTANY. "Introduction and Art Gallery," Leonardo Special Issue: SIGGRAPH 2019 Art Papers and Proliferating Possibilities Art Gallery, Leonardo 52, No. 4 (2019).

REYES, EVERARDO. "Introducing the SIGGRAPH 2019 Art Papers," Leonardo Special Issue: SIGGRAPH 2019 Art Papers and Proliferating Possibili-ties Art Gallery, Leonardo 52, No. 4 (2019).

ROCK, JENNY, and HOWARD, SUNKITA. "Legitimizing Boundary Crossing for the Average Scientist: Two Cases Acknowledging How Arts Practice Informs Science," in Special Section "ArtScience," Leonardo 52, No. 3 (2019).

RODRIGUEZ, HECTOR. "The Entropic Envelope," Leonardo 52, No. 5 (2019).

ROLNICK, NEIL. "The iEAR Studios Startup: Curriculum and Values in Electronic Arts Education," in Special Section "Pioneers and Pathbreakers," Leonardo 52, No. 1 (2019).

ROOT-BERNSTEIN, ROBERT; PATHAK, ANIA; and ROOT-BERN-STEIN, MICHELE. "A Review of ACD-STEMM Integration, Part 1: A Taxonomy of Integrated Bridges," Leonardo 52, No. 5 (2019).

ROOT-BERNSTEIN, ROBERT; PATHAK, ANIA; and ROOT-BERN-STEIN, MICHELE. "A Review of ACD-STEMM Integration, Part 2: Controlled Studies of Transdisci-plinary Tools-for-Thinking Bridges for Arts-Science Pedagogy," Leonardo 52, No. 5 (2019).

ROOT-BERNSTEIN, ROBERT; PA-THAK, ANIA; and ROOT-BERN-STEIN, MICHELE. "A Review of ACD-STEMM Integration, Part 3: Controlled Studies of Additional Transdisciplinary Bridges for Arts-Science Pedagogy and General Conclusions," Leonardo 52, No. 5 (2019).

ROSADO, PILAR. "Computer Vision Models to Categorize Art Collections According to Visual Content: A New Approach to the Abstract Art of Antoni Tàpies," Leonardo 52, No. 3 (2019).

R0STVIK, CAMILLA M0RK. "Visual Narratives: A History of Art at CERN," Leonardo 52, No. 1 (2019).

ROTHERA, ALEX; THOMPSON, CHRISTOPHER G.; BAKER, CHRISTOPHER; and CHARLIE, SHEKPOINT. "The Yawn Chorus," Leonardo Special Issue: SIGGRAPH 2019 Art Papers and Proliferating Possibilities Art Gallery, Leonardo 52, No. 4 (2019).

SÂ, CRISTINA. "Toward an Ontology of the Interface: Identifying the Interface as a Mediation Entity," Leonardo 52, No. 5 (2019).

SAID, MERCEDES. "St. George and the Dragon: Design and Production of a Cultural Heritage Museum Installation Using Media Archaeology," in Special Section "Top-Rated LABS Abstracts 2018," Leonardo 52, No. 5 (2019).

SALGADO, TOMÂS GARCIA. "Have You Ever Used Two Picture Planes to Draw a Single Perspective View?" Leonardo 52, No. 2 (2019).

SAMANCI, OZGE; SNYDER, ADAM; and CANIGLIA, GABRIEL. "Fiber-Optic Ocean," Leonardo Special Issue: SIGGRAPH 2019 Art Papers and Proliferating Possibilities Art Gallery, Leonardo 52, No. 4 (2019).

SAMARAS, EVANTHIA, and JOHN-STON, ANDREW. "Off-Lining to Tape Is Not Archiving: Why We Need Real Archiving to Support Media Archaeology and Ensure Our Visual Effects Legacy Thrives," Leonardo Special Issue: SIGGRAPH 2019 Art Papers and Proliferating Possibilities Art Gallery, Leonardo 52, No. 4 (2019).

SANTOS, TELMA JOÂO. "Mathematics and Performance Art: First Steps on an Open Road," Leonardo 52, No. 5 (2019).

SCHNEIDER, ZIV and ROBINSON, CAITLIN. "WATERTIGHT," Leo-nardo Special Issue: SIGGRAPH 2019 Art Papers and Proliferating Possi-bilities Art Gallery, Leonardo 52, No. 4 (2019).

SHAKED, VARDA. "Computer Scientists with Serious Music Avocations Share Their Thinking," Leonardo 52, No. 5 (2019).

SHAM, JAMES; KILLORAN, PATRICK; RUBENS, NEIL; and KORGEL, BRIAN A. "Patent-Bot," Leonardo 52, No. 3 (2019).

SHI, WEILI. "Terra Mars: When Earth Shines on Mars through AI's Imagination," Leonardo Special Issue: SIGGRAPH 2019 Art Papers and Proliferating Possibilities Art Gallery, Leonardo 52, No. 4 (2019).

SKALAK, THOMAS C. "Watch. A Landscape Artwork at the Djerassi Ranch," in "Scientific Delirium Madness 5.0" Gallery section, Leonardo 52, No. 3 (2019).

SMITH, ANDREW C. "Sonic Commen-tary: Language as a Wilderness" Audio Compilation Introduction in "LMJ29 Audio Companion," Leonardo Music Journal 29 (2019).

SMITH, BRIAN REFFIN. Review of Quantum Art and Uncertainty by Paul Thomas, Leonardo 52, No. 3 (2019).

SMITH, BRIAN REFFIN. Review of Worldmaking as Techné: Participatory Art, Music and Architecture edited by Mark-David Hosale, Sana Murrani and Alberto de Campo, foreword by Roy Ascott, Leonardo 52, No. 5 (2019).

SMITH, BRIAN REFFIN. Review of Zombie Theory: A Reader edited by Sarah Juliet Lauro, Leonardo 52, No. 1 (2019).

SPECTOR, TAMI I. "The Art of the Periodic Table," in Special Section "Art and Atoms," Leonardo 52, No. 3 (2019).

STROHECKER, CAROL. "Reshaping the Discourse about Higher Education," Leonardo 52, No. 1 (2019).

SWEETING, JAMES. Review of Super Power, Spoony Bards, and Silverware by Dominic Arsenault, Leonardo 52, No. 2 (2019).

TATAR, KIVANÇ; PRPA, MIRJANA; and PASQUIER, PHILIPPE. "Respire: Virtual Reality Art with Musical Agent Guided by Respiratory Interaction," Leonardo Music Journal 29 (2019).

TAYLOR, JOHN R., and MILNE, ANDREW J. "The Rhythmotron," Leonardo Music Journal 29 (2019).

TCHALENKO, JOHN, and MIALL, R. CHRIS. "Auguste Rodin Draws Blind: An Art and Psychology Study," Leo-nardo 52, No. 5 (2019).

THORN, SETH DOMINICUS. "A Com-putational System for Violin: Synthe-sis and Dissolution in Windowless," Leonardo Music Journal 29 (2019).

TROGU, PINO. "Giorgio Scarpa's Model of a Sea Urchin Inspires New Instrumentation," Leonardo 52, No. 2 (2019).

TU, SHAN; MI, HAIPENG; and XIAN, FENG. "66m Under," Leonardo 52, No. 2 (2019).

UNDERHILL, JUSTIN. "The Twilight of Presence: Pictorialized Illumination in Leonardo da Vinci's Last Supper," Leonardo 52, No. 1 (2019).

UNDERRINER, CHAZ. "Mimesis, Murakami and Multimedia Art: Parallel Worlds in Performance," Leonardo Music Journal 29 (2019).

VASQUEZ, JUAN CARLOS. "Sound Appropriation and Musical Borrowing as a Compositional Tool in New Electro-acoustic Music," Leonardo Music Journal 29 (2019).

VESNA, VICTORIA; VENDL, ALFRED; FROSCHL, MARTINA; BRISTOL, GLENN; GELUSO, PAUL; HANDSCHUH, STEPHAN; and SCHWAHA, THOMAS. "NOISE AQUARIUM," Leonardo Special Issue: SIGGRAPH 2019 Art Papers and Proliferating Possibilities Art Gallery, Leonardo 52, No. 4 (2019).

WALEWSKA, JOANNA. "The Art of Computing as Frieder Nake's Re-sponse to the Problem of 'Mechanized Mental Labor': The Early Debates Re-visited," Leonardo 52, No. 1 (2019).

WALZER, DANIEL A. "The Loom Machines of Boott Mill (Lowell): A Soundscape-Inspired Composition from the New England Soundscape Project," Leonardo Music Journal 29 (2019).

WANG, MENG, and MI, HAIPENG. "Tangible Tetris," Leonardo 52, No. 2 (2019).

WERDER, MANFRED. "Excerpt from 20160 & 20170," Audio Track, "LMJ29 Audio Companion," Leo-nardo Music Journal 29 (2019).

WHITTLE, MICHAEL. "Romantic Ob-jectivism: Diagrammatic Thought in Contemporary Art," in Special Section "Top-Rated LABS Abstracts 2018," Leonardo 52, No. 5 (2019).

WONG, CECILIA. Review of Extended Heredity: A New Understanding of Inheritance and Evolution by Russell Bonduriansky and Troy Day, Leo-nardo 52, No. 2 (2019).

WONG, JOHN. "RuShi," Leonardo Special Issue: SIGGRAPH 2019 Art Papers and Proliferating Possibilities Art Gallery, Leonardo 52, No. 4 (2019).

YANEZ, ALVARO. "The Musical Geom-etry of Genes: Generating Rhythms from DNA," Leonardo Music Journal 29 (2019).

YERMAKOVA, ANYA; PÉREZ, SE-BASTIÂN; and LAVRENNIKOV, DASHA. "Roots Harmonic: Birthing Polyrhythmy," in "Scientific De-lirium Madness 5.0" Gallery section, Leonardo 52, No. 3 (2019).

YU, ROSALIE and BERRET, CHARLES. "Knowing Together," Leonardo Special Issue: SIGGRAPH 2019 Art Papers and Proliferating Possibilities Art Gallery, Leonardo 52, No. 4 (2019).

ZACHARIAS, KARI, and WISNIOSKI, MATTHEW. "Land-Grant Hybrids: From Art and Technology to SEAD," Leonardo 52, No. 3 (2019).

ZICS, BRIGITTA. "Pachinko Machine," Leonardo Special Issue: SIGGRAPH 2019 Art Papers and Proliferating Possibilities Art Gallery, Leonardo 52, No. 4 (2019).