Contributors
- Contributors
daniel castelblanco teaches at Elon University and received his PhD in Latin American literature and cultural studies from Georgetown University. He has taught at various institutions, including Guilford College, Wake Forest, and Georgetown University. Some of his publications have appeared in Revista canadiense de estudios hispánicos, Revista de crítica literaria latinoamericana, Diálogo, and the edited volume Música y sonidos en el mundo andino. His current research focuses on the role of Andean music in various social processes in Latin America.
león f. garcía corona is assistant professor of ethnomusicology at Northern Arizona University. He worked as a producer and education specialist for the Smithsonian Institution, where he was the founder and managing editor of Folkways Magazine. His research focuses on the connections between politics, economics, and music sentimentalism. His current book project examines the trío romántico style in its socioeconomic, political, and historical context. He has been a guest lecturer at University of Washington, University of Michigan, Pennsylvania State University, and University of New Mexico, among others.
william hope is associate professor of anthropology at Knox College. He first traveled to Cuba in 1995 and, since 1998, has been working with musicians and poets in the styles of Cuban son and punto guajiro in Guantánamo, Cuba. His studies move between an ethnographic focus on the lived experiences of contemporary Cuban artists and the ways they have negotiated tremendous political and economic change in the late twentieth and early twenty-first centuries, as well as the broader sociohistorical processes of Cuban cultural nationalisms, shifting cultural policies in the Cuban Revolution, and the historically dynamic embodiments of the aesthetics of sabor.
sara lópez marín es maestra en música (piano) de la Facultad de Artes de la Universidad de Antioquia. Su práctica musical familiar la ha acercado, desde niña, a la interpretación de diversas expresiones de la tradición musical colombiana.
federico ochoa escobar es magíster en antropología y maestro en música (saxofón) de la Universidad de Antioquia. Es miembro del grupo de investigación Músicas Regionales. Varias publicaciones dan cuenta de su experiencia en el campo de las músicas tradicionales y populares, particularmente de las prácticas sonoras del Caribe colombiano.
julián serna gallego es maestro en música (composición) de la Facultad de Artes de la Universidad de Antioquia. En los últimos años se ha desempeñado como director y guitarrista de agrupaciones de jazz manouche en la ciudad de Medellín.
alejandro tobÓn restrepo recibió su PhD en historia de América La-tina de la Universidad Pablo de Olavide, Sevilla, España. Es máster en estudios latinoamericanos, licenciado en música (Universidad de Antioquia) y músico de la Escuela Popular de Arte. Es docente del departamento de música de la Facultad de Artes de la Universidad de Antioquia, y cofundador y actual coordinador del grupo de investigación Musicales Regionales.
