publisher colophon
Reviewed by:
  • San Miguel de Allende: Mexicans, Foreigners, and the Making of a World Heritage Site by Lisa Pinley Covert
San Miguel de Allende: Mexicans, Foreigners, and the Making of a World Heritage Site by Lisa Pinley Covert. Lincoln: University of Nebraska Press, 2017. xi + 289 pp.; illustrations, notes, bibliography, index; clothbound, $65.00; paperbound, $30.00.

Although all scholarly studies expect some prior knowledge of contextual details, this book presumes a great deal of readers in relation to twentieth- and early twenty-first century socio-economic and cultural-political histories of Mexico. Lisa [End Page 220] Pinley Covert's study is tightly focused on the town of San Miguel de Allende, offering some interesting insights into the particulars of a few comings and goings, and transformations and conflicts over the course of roughly eighty years (1930s to early 2000s). With a particular emphasis on questions of decision-making processes around economic development, the author examines how locals and migrants made choices about constructing their identities and institutions in this town.

Written in narrative style, the descriptions are evocative and detailed, based on evidence drawn from sources such as official state documents, newspapers and magazines, tourist paraphernalia, and personal communications. The study is divided into five chapters, with an introduction and epilogue, taking a roughly chronological trajectory (although rather too often the author hops back and forward between decades, generating a narrative that loses contextual sociopolitical accuracy).

As the title of the book suggests, Pinley Covert describes tensions between "Mexicans" and "foreigners," which encompasses issues of Catholicism, counter-cultural movements, gender and sexuality, and language. Discussions include topics such as the opening of school of fine arts in the 1930s, later frequented by US veterans after World War II; the transformations of the textile factory La Fábrica Aurora; the opening of another art school in the 1950s for "foreign clientele" and a governmental cultural center in 1961 (86); the use of the town as a "backdrop for Mexican and Hollywood films" in the 1950s and 60s (92); the 1982 designation as a Zone of Historic Monuments; and the 2008 designation as a UNESCO World Heritage Site.

The detailed descriptions are in and of themselves interesting. However, there are some perplexing elements underpinning this study, most notably, a lack of engagement with wider contexts and other studies, seemingly suggesting that San Miguel de Allende was constructing itself (or rather the inhabitants of San Miguel were constructing their town) almost within a vacuum. Thus, many of the broader issues described in the introduction are not fulfilled (for example, that this study "challenges us to rethink how Mexicans debated and defined their national identity," xxi). One of the most puzzling aspects is that the author seems to suggest that her realization that economic concerns and national identity are intertwined is innovative. Yet, most studies of nation building and modernity in Mexico discuss economic issues, not least seminal works by renowned scholar Néstor García Canclini, who has examined how "economy and culture march along intertwined with one another … any cultural fact … always leads to an implicit socioeconomic level … [and] any practice is simultaneously economic and symbolic."1 Likewise, engagement with studies of developments in tourism practices (particularly in relation to postrevolutionary national identity construction), even in nearby locations such as Michoacán, are absent. Although the author does include some [End Page 221] mention of policies of President Lázaro Cárdenas (1934–40), reference to his very overt strategies (in his role as Governor of Michoacán) to generate a tourist attraction and to develop an economic infrastructure in the Lake Pátzcuaro area through the construction of the 132-feet high statue of Morelos in the center of the tiny Island of Janitzio, would have placed the specifics of San Miguel into relationship with other key developments from the 1920s onward.2

Perhaps more seriously disconcerting is the seeming conflation of "head-shaving" with the state-sanctioned massacres and disappearances of the 1960 and 70s. Pinley Covert opens chapter 4 by describing an incident in 1969 in which a group of eighteen "long-haired Americans" were taken to jail and had their heads shaved (113). The author suggests that the "head-shaving raid was emblematic of efforts the ruling elite was making across Mexico to contain deviant bodies in an attempt to preserve the future of the nation," making some connections to the Cold War (113–4). Yet, this was precisely the era in which governmental actors of the highest level were engaged in a dirty war involving killings and disappearances, not least the 1968 Tlatelolco massacres of protesting students. Although Pinley Covert briefly mentions the 1968 massacre later in the monograph (145), she seems to offer a more benign description that was connected only to the representation of the Olympics, and not to a wholesale challenge to the rule of the long-standing political party (the PRI).

Overall, then, for public historians and even sanmiguelenses (residents of San Miguel) this book opens up some little known details of this unique town. For readers unfamiliar with political and cultural histories of Mexico more broadly, this book should be read in conjunction with other historical, ethnographic and socio-cultural studies in order to understand the complex and transforming contexts within which the location-specific examples of San Miguel de Allende were taking place.

Ruth Hellier-Tinoco
UC Santa Barbara

Footnotes

1. Néstor García Canclini, Transforming Modernity: Popular Culture in Mexico (Austin: University of Texas Press, 1993), 11.

2. See: Ruth Hellier-Tinoco, Embodying Mexico: Tourism, Nationalism and Performance (New York: Oxford University Press, 2011), 95.

Additional Information

ISSN
1533-8576
Print ISSN
0272-3433
Pages
220-222
Launched on MUSE
2020-01-02
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.