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  • Dickens Quarterly Checklist

Secondary Sources

Blanchard, Daniel W., "Charles Dickens' David Copperfield as Information Object: A Case Study of Serial Literature in the Victorian World of Documents." The Serials Librarian: From the Printed Page to the Digital Age (2019). DOI: 10.1080/0361526X.2019.1658024
Buchanan, Rachael. "The Ghosts We Think We Have: Postmemory in Dickens's The Haunted House." Criterion: A Journal of Literary Criticism 12.1 (2019): 11–20.
Caron, Vincent and Jérémie Torres-Ceyte. "Literary imagination and judicial reality: Insights into the legal legacy of Charles Dickens." Revue Droit & Littérature 1.2 (2018): 243–54.
Clark, Robert. My Victorians: Lost in the Nineteenth Century. Iowa: U of Iowa P, 2019. ISBN: 978-1609386672. [OMF]
Clarke, Joseph H. "Transference Neurosis Revisited: The Case of the Emotionally Frozen Woman with Help From Davanloo, Saint Paul and Dickens's Estella." Journal of Spirituality in Mental Health. DOI: https://doi.org/10.1080/19349637.2019.1647815
Cohn, Elisha. "Dickens's Talking Dogs: Allegories of Animal Voice in the Victorian Novel." Victorian Literature and Culture 47.3 (2019): 541–74. DOI: 10.1017/S1060150319000135
Dickens Studies Annual: Essays on Victorian Fiction 50.2 (2019). [Contents: Amir Tevel, "Counter-Didactic Pickwickians": 207–31; Anthony Teets, "Ghosts of Abolition in Oliver Twist": 232–57; Virginia M. Leclercq "Queer Circuits: Dynamic Forms, Description, and Teleoskepticism in Dickens's Great Expectations": 258–76; Tatiana Nunez, "Alternate Literacies and Language in Bleak House and Great Expectations": 277–94; Keith Easley, "Caught in Time: Performance and Spectatorship in Our Mutual Friend": 295–62; Caroline Reitz, Beth Sherman, Sean Nortz, Emily Foster, Stephanie Montaltie, and Christian Lewis, "Dickens Matters? A Collaborative Story About Our Spring 2019 Dickens Seminar Told in Six Parts": 363–88; Alicia Carroll, "New George Eliot Studies: From Time's Up to the Anthropocene": 389–412.] [End Page 380]
Dickens Quarterly 36.3 (September 2019). [Contents: Brian Cheadle, "David Copperfield and the Autobiographical Fragment Reconsidered": 205–23; Grant Cambell, "Dickens, Chlorea and Big Data": 224–40; Michelle Allen-Emerson, "'Form[ing] an elephant': Dickens and the Vagaries of Language": 241–58; William F. Long, "Early Australian Naming of the Third Party in the Dickens Scandal": 259–67; Lillian Nayder (Rev. Joanna Hofer-Robinson, Dickens and Demolition: Literary Afterlives and Mid-Nineteenth Century Urban Development): 268–71; Sarah Gates (Rev. Jill Galvan and Elsie Michie, eds. Replotting Marriage in Nineteenth-Century British Literature): 272–74; Andre DeCuir (Rev. Pete Orford, The Mystery of Edwin Drood: Charles Dickens' Unfinished Novel and Our Endless Attempts to End It): 275–77; Michael Hollington (Rev. Catherine Waters, Special Correspondence and the Newspaper Press in Victorian Print Culture 18501): 277–80; "Notices": 281–84; Kim Edwards Keates, "The Dickens Checklist": 285–87.]
Etsey-Burtt, Brandi. "'Ripped and Tortured Skin': Mapping the Body in Peter Carey's Jack Maggs. ariel: A Review of International English Literature 50.2-3 (2019): 191–217. DOI: 10.1353/ari.2019.0019
Grass, Sean. The Commodification of Identity in Victorian Narrative: Autobiography, Sensation, and the Literary Marketplace. Cambridge: Cambridge UP, 2019. ISBN: 978-1108484459 [GE, OMF]
Gooch, Joshua. Dickensian Affects: Charles Dickens and Feelings of Precarity. New York: Routledge, 2019. ISBN: 978-0367815417.
Hites, Sándor. "Between Social Duty and the Greed of Giving: On Philanthrocapitalism and Gift-Patriotism." Comparative Literature Studies 56.3 (2019): 469–86. DOI: 10.5325/complitstudies.56.3.0469
Howell, Jessica. Malaria and Victorian Fictions of Empire. Cambridge: Cambridge UP, 2018. ISBN: 978-1108484688 [MC]
Karabakir, T., Golban, P. "The Bildungsroman as Monomythic Fictional Discourse: Identity Formation and Assertion in Great Expectations." HUMANITAS–Uluslararasi Sosyal Bilimler Dergisi 7 (2019): 318–36. DOI: 10.20304/humanitas.560106
Little Doric 6.1 (October 2019). [Contents: John McNeill, "George Macdonald & Aberdeen": 2–11; Lee Ball, "Writing God's Will": 12–13; Anne Penhale and Paul Schlicke, "Fellowship Conference at Eastbourne 26 July": 14–18; Aaron Sachs, "Herman Melville": 19; Sascha Morrell, "Moby-Dick": 20–4; Eric Summers, "Dracula's Scottish Connections": 25–9; Henry Fothergill Chorley, "Hector Berlioz": 30–5; Eric Summers (Rev. R Williams Luminaries and J C Briggs The Quickening and the Dead): 35–7; "The Aberdeen Branch of the Fellowship": 38–40.] [End Page 381]
Salmann, Isa Atallah...

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