1.1 New Editions and Reprints1
Shaw, Bernard.
Caesar and Cleopatra. Print on Demand, 2018.
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The George Bernard Shaw Collection. Cnpereading, 2018. This Chinese publisher has a number of Shaw collections on their catalogue. See www.cnpereading.com/.
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Great Catherine. Max Bollinger, 2018.
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Major Barbara. OTB Ebook Publishing, 2018. For a full list of works by Shaw published by OTB Ebook Publishing, see their catalogue in the Amazon portal.
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Man and Superman. Blurb, 2019. Other works by Shaw published by Blurb this year include, for example,
Misalliance and
The Irrational Knot. See www.blurb.com/bookstore for a full list.
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Maximes à l’usage du révolutionnaire [trans. Alain Blanc]. Voix d’encre, DL 2018. French translation of “Maxims for Revolutionists.”
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Mevrouw Warren’s Beroep [trans. L. Simons; Josine A. Simons-Mees] Rotterdam: Uitgeverij Calbona, 2018. Dutch translation of
Mrs Warren’s Profession.
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Pygmalion. AmazonClassics, 2018.
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Pygmalion. Ditzingen: Reclam, 2018.
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Pygmalion. Sovereign, 2018. This publisher released
Major Barbara this year as well. They also have a number of print-on-demand books that customers may order through their website: www.sovereignpublishing.co/.
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Saint Joan. Dover, 2019.
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1.2 Digitized Editions Available Online2
Bartleby (www.bartleby.com/titles/). Has digital copies of Man and Superman and Pygmalion.
Other online resources featuring digitized editions of Shaw’s works from earlier issues (2015–18) include: Overdrive (overdrive.com), The EServer Drama Collection (drama.eserver.org), The Internet Archive (archive.org), Digital Library of India (dli.ernet.in), Domínio Público (dominiopublico.gov.br), Hathitrust (hathitrust.org), The Online Books Page (onlinebooks.library.upenn.edu), Open Library (openlibrary.org), and Project Gutenberg (gutenberg.org), the Fabian Archives at the London School of Economics (digital.library.lse.ac.uk/collections/fabiansociety) and the National Library of Russia (nlr.ru/eng), the Literature Network (www.online-literature.com/george_bernard_shaw/2887/), Manybooks (http://manybooks.net/authors/shawgeor.html), Loyalbooks (www.loyalbooks.com), Great Books and Classics (www.grtbooks.com/shaw.asp?idx=0&lng=al&lst=al&aa=SH&at=AA&yr=1856), and Feedbooks (www.feedbooks.com).
2. Books, Journals, Pamphlets, and Other Scholarly Media3
Abdul, Intisar A. and Qadir Taqwa Rashid Juma. “Breaking Grice’s Cooperative Maxims in Humorous Interactions: A Pragma-Stylistic Study of Shaw’s
Major Barbara.”
Journal of Basra Research for Human Sciences 1.43 (2018): 42–59. Available at www.iasj.net/iasj?func=fulltext&aId=147035.
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Abraham, Hannah Rachel. “The Undying Genius of George Bernard Shaw.”
The Week, 2 November 2018. On the occasion of the 68th anniversary of Shaw’s passing, the article lists a series of notable facts about him. Available at www.theweek.in/leisure/society/2018/11/02/the-undying-genius-george-bernard-shaw.html.
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Adams, Lindsay. “Imogen in Plus Fours: The Birmingham Repertory Theatre’s
Cymbeline and the Ideal Woman.” In
Text & Presentation 2018, ed. Jay Malarcher, 73–89. Jefferson, NC: McFarland, 2019. It concludes that the image of Imogen they portray owes to (and departs from) the ideas Shaw outspokenly held about the character.
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Ahmad, Ahmad. “Women and Social Equality in the Plays of George Bernard Shaw.”
International Journal of Social Sciences and Interdisciplinary Studies 3.1 (2018): 21–36. Available at www.researchgate.net/profile/Julian_Pigott2/publication/326914082_A_Zimbardo_time_perspective_inventory_ZTPI_survey_of_Japanese_university_students/links/5b6c00b145851546c9f9279f/A-Zimbardo-time-perspective-inventory-ZTPI-survey-of-Japanese-university-students.pdf#page=22.
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Allen, Nicholas. “Material Modernism: An Irish Case, circa 1921.” In
A History of Irish Modernism, ed. Gregory Castle and Patrick Bixby, 191–206. Cambridge: Cambridge University Press, 2019. Uses
Back to Methuselah to illustrate the increasingly complex forms of Irish Modernism.
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Armstrong, James. “Bumper Year for Shaw in New York.”
The Shavian 14.3 (2018): 27–31. Summary of Shaw productions on Broadway for the year, most notably Bedlam’s
Pygmalion, Manhattan Theatre Club’s
Saint Joan, and Gingold Theatrical Group’s
Heartbreak House.
Google Scholar
Arrington, Lauren. “Fighting Spirits: W. B. Yeats, Ezra Pound, and the Ghosts of...