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Plato, Procedures, and Artificial Everything
- TDR: The Drama Review
- The MIT Press
- Volume 63, Number 4, Winter 2019 (T244)
- pp. 113-120
- Article
- Additional Information
Abstract:
Nearly 10 years after Hello Hi There (2010), the proliferation of algorithmically generated fakes, copies, frauds, bots, and trolls casts the project of algorithmic theatre in a newly ambiguous light. How should theatre, with its long history of problematizing questions of appearance, impersonation, illusion, truth, and falsehood, respond to these new forms of data-driven representations?