Notes on Contributors
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Jonathan P. Ribner, a specialist in European painting and sculpture of the late eighteenth and nineteenth centuries, has published on the art of France and Britain in relation to the history of politics, law, literature, religion, public health, science, and the environment. He is the author of Broken Tablets: The Cult of the Law in French Art from David to Delacroix. His articles have appeared in The British Art Journal, Nineteenth-Century Art Worldwide, Art Journal, Zeitschrift für Kunstgeschichte, and The Art Bulletin. He has reviewed books and exhibitions for caa.reviews, Nineteenth-Century French Studies, and The American Historical Review. He is currently writing a book on legacies of loss in French art and literature in the age of Romanticism.
Hope Rogers recently received her Ph.D. in English from Princeton University. Her work has appeared or is forthcoming in Victorian Literature and Culture and Tolkien Studies. Her dissertation examined the relationship between female agency and conventionality in the nineteenth-century British novel.
Ellen Malenas Ledoux is an Associate Professor in the English Department at Rutgers University-Camden. She is the author of Social Reform in Gothic Writing: Fantastic Forms of Change, 1764–1834 (Palgrave Macmillan, 2013) and has published widely on Gothic writing and women’s cultural history during the long eighteenth century. She also serves as the North American Reviews Editor for Women’s Writing.
Claire Knowles is a Senior Lecturer in English at La Trobe University, Melbourne. Her research focuses on women writers in the eighteenth and nineteenth centuries, and on the intersection between Romanticism and emergent forms of popular literary culture. She is currently working on a book on the role of poetry in late-eighteenth century newspapers, the World, the Oracle and the Morning Post, with the provisional title, Romanticism, Newspapers, and the Democratisation of Poetry, 1785–1810.
Richard Marggraf Turley is Professor of English Literature at Aberystwyth University. He is author of several books on the Romantic poets, including Keats’s Boyish Imagination (2004), and Bright Stars: John Keats, Barry Cornwall and Romantic Literary Culture (2009), and the editor of Keats’s Places (2018). He is also author of a historical crime novel set in London in 1810, The Cunning House (2015). In 2007, he won the Keats-Shelley Prize for Poetry.
Timothy P. Campbell is Associate Professor of English at the University of Chicago and the author of Historical Style: Fashion and the New Mode of History, 1740–1830 (Penn Press, 2016). His essays from a new book project on clothing and the long history of aesthetics have recently appeared in Critical Inquiry, Eighteenth-Century Fiction, and Studies in Romanticism.
Adam Sneed received his Ph.D. in English Language and Literature from the University of Michigan in 2018. He is currently an English Instructor at Southwest Tennessee Community College. His current book project examines the intellectual history of Romanticism through the foundational topics of skepticism and analogy.
Melissa Schoenberger is an Assistant Professor of English at the College of the Holy Cross, where she specializes in Restoration and Eighteenth-Century Literature. She is the author of Cultivating Peace: The Virgilian Georgic in English, 1630–1730 (Bucknell, 2019).
John Savarese is an Assistant Professor of English Language and Literature at the University of Waterloo. He has recently completed a book about Romantic-era theories of the social mind, portions of which have appeared in ELH and Romantic Circles Praxis Series.
