Notes on Contributors
Buy Issue for $25 at JHUP- Notes on Contributors
Adriana Craciun is Emma MacLachlan Metcalf Chair of Humanities at Boston University and the editor of Studies in Romanticism. Her most recent books are Writing Arctic Disaster: Authorship and Exploration (Cambridge UP, 2016), The Material Cultures of Enlightenment Arts and Sciences (co-edited with Simon Schaffer, Palgrave 2016), and Curious Encounters: Voyaging, Collecting, and Making Knowledge in the Long Eighteenth Century (co-edited with Mary Terrall, Toronto UP, 2018).
J. Andrew Hubbell is author of Byron’s Nature: A Romantic Vision of Cultural Ecology (Palgrave Macmillan 2017) and The Story of Transition Towns in Western Australia (Edith Cowan University 2018). He is Associate Professor of 19th Century Literature at Susquehanna University and Adjunct Professor of English at University of Western Australia. He edits the Journal of Landscape and Language.
Joanna E. Taylor is Presidential Academic Fellow in Digital Humanities at the University of Manchester. She has published in journals including Romanticism and International Journal of Arts and Humanities Computing on the use of digital humanities approaches in literary scholarship. Her research interests include nineteenth-century literary geographies, digital methods, and environmental humanities.
Peter Henning holds a Ph.D. in comparative literature at Lund University, Sweden, where he currently works as an associated researcher. He recently published a second study on Keats’s poetry, dealing with the topic of bees and flowers, in Romantik: Journal for the Study of Romanticisms (2017).
Matthew Rowlinson is a Professor of English and a member of the core faculty in the Centre for Theory and Criticism at Western University, in London, Ontario. He is the author of Real Money and Romanticism (Cambridge UP, 2010) and Tennyson’s Fixations: Psychoanalysis and the Topics of the Early Poetry (U of Virginia P, 1994), as well as articles and reviews on literature of the Victorian and Romantic periods. He has edited Tennyson’s In Memoriam (Broadview, 2014) and contributed an essay on Darwin and Romanticism to the collection Marking Time (2017). His main current research topic is poetics and taxonomy in the nineteenth century.
Inhye Ha is an Assistant Professor in the Department of English Language and Literature at Incheon National University, South Korea. She has published several articles on posthumanism, affects, and the intersections of science and early modern literature in journals including Journal of English Language and Literature, Journal of Eighteenth-Century English Literature, and In/Outside: English Studies in Korea. She is currently preparing a book manuscript tentatively entitled “Concepts of the Posthuman in British Material Culture, 1660–1820.”
John Paul Riquelme, Professor of English at Boston University and Co-chair of the Modernism Seminar at Harvard’s Mahindra Humanities Center, is the author or editor of a dozen books and journal issues concerning literary modernism, the Gothic, and literary theory. His study of T. S. Eliot, Harmony of Dissonances, concerns Eliot’s relation to Romanticism. He has published essays on Wilde’s plays, his fiction, and his relation to precursors and is currently writing a study of Wilde’s legacy in literary modernism.
Catherine Gallagher is the Eggers Professor of English Literature, Emerita, at the University of California at Berkeley. Her books include The Industrial Reformation of English Fiction: 1832–67 (1985), Nobody’s Story (1995), The Body Economic: Life, Death, and Sensation in Political Economy and the Victorian Novel (2006), and Telling It Like It Wasn’t: The Counterfactual Imagination in History and Literature (2018).
John M. Picker is a Lecturer in Comparative Media Studies/Writing at the Massachusetts Institute of Technology. He is the author of Victorian Soundscapes and a contributor to The Sound Studies Reader, The Victorian World, Sounds of Modern History, and The Auditory Culture Reader. His essays have appeared in New Literary History, ELH, Victorian Studies, The American Scholar, and ZAA. His most recent publication is the chapter “Soundscape(s): The Turning of the Word” in The Routledge Companion to Sound Studies (2019).
Elizabeth Fay is Professor of English at the University of Massachusetts Boston. Her most recent book publications are Fashioning Faces: The Portraitive Mode in British Romanticism (2010) and a co-edited volume...
