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  • Habitat Exchange, and: Apocalypto w/ Aquaria, and: Song with Sequoia and Australopithecus
  • Tess Taylor (bio)

Habitat Exchange

Calmada, Calmosa, California, Mar Vista,Ocean View: In duplicate languages street names proffersynonymous peace. The billboard offers

"affordable luxury"—but the building is derelictno ocean view no sidewalks the parks gated,& all nature paths blazed first by oil rigs,

the trail a scar from fuel excavation.I am pregnant again. The dust makes me cough.Cool mornings I still hike the arroyo:

                the plants here are replacements of plants removed elsewhere"habitat exchange"—stand-in ecosystem—                        gnatcatcher sumac invasive eucalyptus

I walk through scarred elderberry, shimmering mulefat.                                                Arid

crackle in the mud rat's nest.

I pause near the tunnel: The baby kicks.            Black sage blooms in dry inflorescence& the toyon is a distant cousin of the rose.

                        Buckwheat bush, sunflower, endangered roadrunner:hear the cheat cheat of a towhee.                                        Whatever can wait waits for uncertain water

survivor survivor and the mod suburb beyondcrumbles already.The future it promised seems already over. [End Page 55] I climb and watch an unmoving freeway.Stalled tankers grit the particulate air.At last, from the ridgeline, I glimpse the sea.

Apocalypto w/ Aquaria

Touching an urchinin the reflecting pool: Bennett says salt!

Urchin: I say, anemone.Each day Bennett sings new syllables.

Anemone alemony amelony a melody—We watch jellyfish: volutes in the tank.

Jellyfish thrive in many waters,even in the face of vast pollution.

Next to them, endangered alligators;cloudy octopi; one turtle,

back venerable as Aztec masonry:Bennett says tortuga.

Each day his bestiary grows.Yet everything we name is

disappearing:zebra, hippopotamus, rhinoceros.

Soon I'll also be explaininghow these words each mark

a half-lost species:O exotic & endangered letters. [End Page 56]

Song with Sequoia and Australopithecus

Limber pine, marbled godwit, diffuse daisy, stonecrop,I was learning your names—

then heard Bennett waking.On today's pajamas he wears dinosaurs.

He doesn't know dinosaurs or that pajamais Hindi via the British;

or that this tree is cousin of paleoliths,that this state was once Spain.

Some year I'll tell him:What is life for but explanation?

Now he wakes under a tusky mammoth.His arms flail & he flushes reaching

as if for a tree branch to keep from falling:(He lies on the ground.

                                        There is no limb.)                                        Moro's gesture: vestige of monkey self.

My primate clings to me in new human skin.I rock him near stiff blooms labeled sea thrift.

Each body cradles its own conservation:Each body bears forth the enormous dark chain.

We only half-grasp what we inherit:In caves the first humans played

much of the Doric scale on bone flutes,do re mi fa vibrating over eons.

Our ears cock

                                to old tones.

Scientists now believe that our wristbonestell us which Australopithecus was our progenitor. [End Page 57]

O dinosaur o Australopithecus.        I rock my wrists, I grip my son.

I might say earth thrift, life thrift, or tongue thrift.I might say word-crop: pajama: Empire.

                Today I revert by instinct to glottal percussion.                        I coo, I croon.

Air blowsthrough my hollows:

I telescope song shape to vibrating chambers—into his ears—fresh gills of this air. [End Page 58]

Tess Taylor

Tess Taylor's first book, The Forage House, was called "stunning" by the San Francisco Chronicle. Her second book, Work & Days, was called "our moment's georgic" by critic Stephen Burt and was named one of the ten best books of poetry of 2016 by the New York Times. Taylor currently chairs the poetry committee of the National Book Critics Circle, and is on-air poetry reviewer for NPR's All Things Considered. She was most recently a Distinguished Fulbright US Scholar at the Seamus Heaney Centre in Queen's University in Belfast, Northern Ireland.

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