Abstract

ABSTRACT:

Most Near Eastern and Sefardi Bible manuscripts feature calligraphic frames around many of their carpet pages, and in Sefardi Iberian manuscripts they are frequently found surrounding the Temple Implement pages, which are unique to the region. The present essay traces the development of this scribal art in the Iberian Peninsula and the way that it evolved into a regional phenomenon that mirrors cultural interests and influences. I also discuss its origins in Hebrew Near Eastern manuscripts and further demonstrate the cultural roots and origins of this scribal phenomenon in the surrounding Byzantine and Islamic cultures.

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Additional Information

ISSN
2381-5329
Print ISSN
2381-5329
Pages
pp. 231-269
Launched on MUSE
2019-11-05
Open Access
No
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