Fyerool Darma, Portrait No. 12 (The sympathiser or the most cultured who ever wrote), of Moyang series 2017. Acrylic on canvas and burn wood, 125.5 × 140 × 5.5 cm. Photography by Matthew Teo. Image courtesy of the artist and Yeo Workshop.
This work is licensed under a Creative Commons Attribution 4.0 International License.
Colonial or Cosmopolitan? Vietnamese Art in Paris in the 1930s–40s
Ambitious Alignments: New Histories of Southeast Asian Art, 1945–1990 ed. by Stephen H. Whiteman et al.
This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.