Color Plates

COLOR PLATE A.

ART LET LOOSE: AUTONOMOUS PROCEDURES IN ART-MAKING

System as art: Hans Haacke, Condensation Cube, methacrylate and water, 76 × 76 × 76 cm, 1965 (2006) (2013), Barcelona Museum of Contemporary Art (MACBA). (© Hans Haacke, VEGAP, 2016. Photography courtesy of Hans Haacke.) (See article in this issue by David Hosking.)

COLOR PLATE B.

CAN MUSICAL MACHINES BE EXPRESSIVE? VIEWS FROM THE ENLIGHTENMENT AND TODAY

LEDs used to visualize sound on EMMI's Monochord-Aerophone Robotic Instrument Ensemble (MARIE). (© Steven Kemper) (See article in this issue by Steven Kemper and Rebecca Cypess.)

COLOR PLATE C.

TOWARD AN ONTOLOGY OF THE INTERFACE: IDENTIFYING THE INTERFACE AS A MEDIATION ENTITY

Char Davies, Osmose, immersive virtual environment, 1995; Tree, digital still image captured during a live performance of Osmose. (© Char Davies) (See article in this issue by Cristina Sá.)

COLOR PLATE D.

STIRRING THE PORRIDGE WITH ALBERT E

Stirring the Porridge with Albert E (oblique view), work in progress. Each plate represents one second of spoon movement; each dot represents spoon position in 1/50th-second increments. (© David Gepp) (See endnote in this issue by David Gepp.)