Abstract

Abstract:

Drawing from the study of a ritual in South India called bhuta kola, we explicate the possible theoretical conceptualizations that can explain the aesthetic movement from the individual to the collective universal. The multi-layered nature of a socio-religious ritual performance lends itself to two main conceptual frameworks. The first is the aesthetic criterion of order and place that is embedded in the collective memory of the audience. The second is the experience of shared aesthetics among community members who are immersed in the performance. The theory of Rasa in Indian traditions of thought affords itself to the explanation of such a cognitive movement during ritual performance that is coconstituted by socio-religious symbolism as well as an aesthetic display.

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Additional Information

ISSN
1527-2109
Print ISSN
0742-5457
Pages
pp. 395-415
Launched on MUSE
2019-10-04
Open Access
No
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