Authors of Articles in this Issue
- Authors of Articles in this Issue
christina bashford is Associate Professor of Musicology at the University of Illinois, a historian of music in nineteenth- and early twentieth-century Britain, and author of The Pursuit of High Culture: John Ella and Chamber Music in Victorian London (Boydell, 2007). She is co-editor of Over Here, Over There: Transatlantic Conversations on the Music of World War I (with William Brooks and Gayle Magee; forthcoming 2019), and is currently writing a book on violin culture in Britain, 1870–1930.
sarah collins is a Senior Lecturer in Musicology at the University of Western Australia, where she is also Chair of the Research Committee in Music and Head of Musicology. In 2017, she was a Visiting Fellow at Harvard University and a Marie Skłodowska-Curie Research Fellow at Durham University. She is the author of Lateness and Modernism: Untimely Ideas about Music, Literature and Politics in Interwar Britain (Cambridge University Press, forthcoming) and The Aesthetic Life of Cyril Scott (Boydell, 2013). She is also the editor of Music and Victorian Liberalism: Composing the Liberal Subject (Cambridge University Press, forthcoming), and she is a co-editor, with Paul Watt and Michael Allis, of the Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century (Oxford University Press, forthcoming).
rebecca dowd geoffroy-schwinden is Assistant Professor of Music History at the University of North Texas College of Music. Her publications have appeared in Studies in Eighteenth-Century Culture, Women & Music, in Transposition: Musique et sciences sociales, and in edited volumes. She received her Ph.D. in musicology from Duke University, where she was a member of the Society of Duke Fellows.
austin glatthorn is Assistant Professor of Musicology at the Oberlin College & Conservatory of Music. His research and teaching focuses on the interdisciplinary intersections of music, politics, and aesthetics in the years around 1800. He has published in recent issues of Eighteenth-Century Music and the Journal of Musicology, while his critical edition of Georg Benda's Philon und Theone (1779) is forthcoming at A–R Editions. He is currently working on a monograph that calls into question the notion of Viennese classicism. His research has been supported by grants from the University of Southampton, the Deutscher Akademischer Austauschdienst, the Leibniz-Institut für Europäische Geschichte, and the Social Sciences and Humanities Research Council.
nicholas marston is Professor of Music Theory and Analysis at the University of Cambridge, where he is also a Fellow (and currently Vice-Provost) of King's College. His research interests span Beethoven analysis and source studies, Schenkerian studies, and the music of Schumann. He is a former Editor-in-Chief of Beethoven Forum, and has served as Chair of the Editorial Board of Music Analysis, on the Advisory Panel of which he now sits. He is a Contributing Scholar to Schenker Documents Online. His work has been published in major UK and US journals, including Journal of the Royal Musical Association, Journal of the American Musicological Society, and Nineteenth Century Music. His most recent book is Heinrich Schenker and Beethoven's 'Hammerklavier' Sonata (Ashgate, 2013); forthcoming work includes chapters in The Cambridge Companion to the 'Eroica' Symphony, ed. Nancy November, and The Cambridge Companion to Mozart's The Magic Flute, ed. Jessica Waldoff.
peter wright is Emeritus Professor of Music at the University of Nottingham and Honorary Senior Research Fellow at the University of Bristol. A specialist in late medieval polyphony and its sources, his many publications include two editions of fifteenth-century English mass music for the British Academy series Early English Church Music. His article 'Paper Evidence and the Dating of Trent 91' (Music & Letters, 1995) was awarded the Westrup Prize.
