Abstract

Abstract:

This study focuses on Taller de Gráfica Popular and Taller 4 Rojo, two artistic collectives that explore the relation between popular disobedience and their aesthetic products. The author argues that the visual dimension of the posters and flyers created in the collectives registers the outcome of processes needing to be addressed as to how the images operate in political registers. The article explores influences taking place via indirect artistic networks and across different countries, and traces conceptual modalities to reveal assessed "images of interruption" as relational instances that temporarily delineate prefigurative shapes of the people.

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Additional Information

ISSN
2471-1039
Print ISSN
1090-4972
Pages
pp. 7-19
Launched on MUSE
2019-09-12
Open Access
No
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