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From Chanel to Halston: The Mythology of Fashion Costumes on Modernist Stages
- TDR: The Drama Review
- The MIT Press
- Volume 63, Number 3, Fall 2019 (T243)
- pp. 128-147
- Article
- Additional Information
Abstract:
When recognizable designer couture costumes the modernist stage, it adds layers of aesthetic, choreographic, and social meaning via extrascenic reference, a capacity to alter and reshape bodily movements, and the relationship to the pleasures and politics of women’s material culture. Onstage couture can confer a kind of contemporary mythological resonance upon performance — what I call the “mythic fashion unconscious.”